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Truly Free Film

Nobody Knows Anything #4: Rethinking Franchises and Sequels

By Charles Peirce

OldBatmanv4It would seem, to the eyes of Hollywood, the high form of film has become the franchise. It satisfies the two poles of conventional business wisdom: limiting risk as it promises more of the same, maximizing profit as it entices investors with that self-same prospect.[1] The Hobbit is stretched out to encompass three movies, hordes of young adult novels are on the horizon, and Bob Iger suggests Frozen will now be a franchise after its huge success, but it’s hard to imagine that wasn’t always the plan. Strangely, though, two of the pioneers of the form, George Lucas and Steven Spielberg, both predict doom for what they helped create. And the recent failure of The Lone Ranger (and John Carter before that) suggest they might just be right.

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Truly Free Film

10 Must Read Or Watch Film Biz Articles Of 2013

  1. Steven Soderbergh’s “State Of Cinema” Address at SFIFF56: http://vimeo.com/65060864. This served as the framing for AO Scott’s 2013 Cinema overview.
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Truly Free Film

Over 30 Really Good Things In The Indie Film Biz 2013

"Over 30 Really Good Things In The Indie Film Biz 2013"
“Over 30 Really Good Things In The Indie Film Biz 2013”

We have plenty to be thankful for.  Things are getting better — at least in the Indie Film Biz they are…  Or should I say Specialized Film Biz? Artist First Film Biz? Whatever this is, let’s celebrate.  We have plenty to be thankful for.

I have over 30 points to prove it to you.  Granted I have something close to an equal number on the negative side too, but I will shield you from those for the time being. Besides, those negative things are all just opportunities, right?  So what is this cornucopia of things we have to be thankful for? Well…

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Truly Free Film

The Digital Recession, Pt 2: The Problem With Piracy

By Jim Cummings

The amount of digital piracy in a country is correlated to the average internet speed. It would be very time consuming to download Avatar on a dial-up modem, so many in El Salvador will have to buy a hard copy, but Americans often watch movies online for free simply by googling the movie’s title followed by the word “streaming”. As if this isn’t already easy enough, advancements in internet speeds will only make watching movies for free easier, or in my opinion, ubiquitous.

In 2010, a filmmaker friend of mine raised

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Truly Free Film

Filmonomics: Let The Right Ones In

By Colin Brown

Think you’ve got problems getting your films financed and seen by audiences? Well, you are in shockingly good company. In recent weeks, everyone from Steven Spielberg and George Lucas to Steven SoderberghJohn TravoltaMike FiggisDavid Lynch and Lynda Obst have all bemoaned the near-impossibility of getting their own pet projects onto the big screen. Taken together, their published comments are a scathing indictment of a film establishment that is only obsessed with pre-assembled projects that pander to the planet’s widest common denominators.

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Truly Free Film

The Cinema Giants Agree: The Film Biz As We Know It Is OVER. Now What?

Perhaps this blog is now obsolete (now wouldn’t that be excellent!).  Or maybe blogging just doesn’t work the way I hope it would (man, that would be a real shame!).  Perhaps change in the film business just about impossible. I am growing afraid it might well be — at least the kind that comes from positive and strategic influence as opposed to spontaneous or reactionary disruption (that kind of change that always is constant).  So what is the next step? And why the bleep do I have to ask?

What is going on in this world when everyone agrees that something is totally f*cked but no one with power appears to be doing anything substantial to improve it?  Are there secret plansof a new cultural infrastructure hatching and 

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Truly Free Film

Close Encounters Of The Implosion Kind

By Russ Collins

Gary Meyer wrote: I do not like to be a doom and gloom guy but I think there are big changes afoot for commercial cinemas, but not the scenario predicted here.  Steven Spielberg Predicts ‘Implosion’ of Film Industry

 
Like Gary, I am not a doom and gloom guy. However, it is tempting for older cinema artists (like Steven Spielberg and soon to retire artists like Steven Soderbergh or maybe it’s just filmmakers named Steven!) to see gloom in clouds of change. Change is hard. It frequently makes us feel discouraged or unfairly challenged. The shifting sands of change can cause us to see threats everywhere and feel the world as we know it will end.  However, maybe we feel this way because it’s true. The world as we know it will indeed come to an end because change is the only constant, and creativity in art, business and all things is frequently born from what might appear to be destructive forces brewed from dynamic change. It is a defining story of living; a baseline truth, an ever repeating cycle of human existence that the Hindu religion represents so effectively in the story Shiva, whose joyous dance of destruction celebrates the cycle of creation, preservation and dissolution.
 
SHIVA DANCED ON THE MOVIES IN THE 1950s
 
Movie attendance at theaters in the USA by the late 1940s appeared stable at 4 BILLION admissions per year.  By the early 1960s movie attendance at theaters had fallen dramatically and re-stabilized at around 1 billion admissions per year – the theatrical audiences was just 25% of what it had been 16 years earlier. It’s hard to imagine.