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If you missed it on Screen Australia’s website, allow me to reprint it here…
“Screen Australia is again pleased to offer an outstanding opportunity for a producer at an early stage in their career with a bespoke producer internship. Following earlier internships with Film4, Belladonna and Killer Films, we are pleased to announce applications are now open for the Ted Hope Producer Internship.
Ted Hope is one of the most respected and dynamic independent producers in the US. The successful applicant will receive $40,000 from Screen Australia to support their six-month placement working with Ted at his New York-based production company Double Hope Films, commencing in August 2012.
Emerging in the early 1990s with his phenomenal company Good Machine, Ted has remained at the forefront of new technologies, consistently delivering vital and exciting work. He has produced and executive produced over 40 films, including 21 Grams, In the Bedroom, Happiness and American Splendor. More recently he produced Martha Marcy May Marlene, Collaborator and Dark Horse. With a keen eye for strong talent, Ted has 21 ‘first features’ under his belt, including those of Alan Ball, Todd Field, Michel Gondry, Hal Hartley and Ang Lee.
The ideal candidate will have an interest not only in development and production, but also in social media, marketing and distribution. In addition to his busy slate of films, Ted Hope is currently developing new distribution models for independent filmmakers and is considered a leading innovator in this field. The successful applicant stands to gain invaluable skills and experience in numerous areas of the independent film sector in the US.
Screen Australia is inviting applications from talented producers who have either one feature film credit, or who have produced at least two outstanding short films. The guidelines and application form are available at www.screenaustralia.gov.au/TedHopeinternship
The application deadline is Friday 22 June 2012.
For further information contact the Development Department on 1800 507 901 or development@screenaustralia.gov.au”
To the Jurors of the Cannes Film Festival
You will spend the next 11 days watching 22 films that the programmers and leaders of the Cannes Film Festival deemed to be the worthiest of this year’s competition.
The Cannes Film Festival is one of the most prestigious festivals in the world. Festival Films including last year’s Oscar winner The Artist have gone on to have long and successful lives, and filmmakers’ careers have been launched on the Croisette. As we all know, the opportunities to have your film seen on a world stage is invaluable.
For the 2012 edition, as with the 2010 edition, there are NO FEMALE DIRECTED FILMS in competition, and in the 64 years of the Festival only one woman — Jane Campion — has been awarded the Palme D’Or.
Festival director Thierry Fremaux responded to the recent manifesto from La Barbe – a French feminist action group – which decried the lack of women by saying:
“I select work on the basis of it actual qualities. We would never agree to select a film that doesn’t deserve it on the basis it was made by a woman…There is no doubt that greater space needs to be given to women within cinema. But it’s not at Cannes and in the month of May that this question needs to be raised, but rather all year and everywhere.”
We call for Cannes, and other film festivals worldwide to commit to transparency and equality in the selection process of these films. We judge films as human beings, shaped by our own perspectives and experiences. It is vital, therefore, that there be equality and diversity at the point of selection.
Mr. Fremaux is correct in stating that women’s rights must be addressed year round. We, the undersigned, encourage an industry-wide discussion about this issue, and call on the leaders throughout the industry to participate in and contribute to a dialogue about how we can, to quote Mr. Fremaux, “create a greater space for women within cinema.”
Sign the petition and see all the signatures.
https://www.change.org/petitions/cannes-film-festival-where-are-the-women-directors#
I have signed. Have you?
This June COLLABORATOR will have two special screenings here in New York City before its July theatrical release.
The first is June 18th at the IFC center, and the second is on June 19th at the Museum of the Moving Image in Astoria, Queens.
Hal Hartley will be there to present on the 18th, and Martin Donovan and Ted Hope will be there to answer your questions on both nights.
June 18th
IFC Center
7pm
Buy tickets online.
June 19th
Museum of the Moving Image
Tickets onsale soon.
Find out more about Collaborator on Prescreen.
Collaborator premiered at the Karlovy Vary Film Festival in the Czech Republic, winning several awards including best actor for David Morse.
Read director, writer, and star, Martin Donovan’s thoughts on creating Collaborator.
Check out Collaborator’s Facebook page, and find more information about the film and its upcoming release from Tribeca Film on VOD, iTunes, Amazon, VUDU on June 19th here.
And read about previous coverage of Collaborator on Hopeforfilm here, here, and
here
Not succeeding plays a hugely important role in the creative process. Join me and Ed Burns at the Vimeo Festival + Awards on June 8 (?) as we discuss the importance of embracing failure in creative work, with postcards from own personal dark days—jobs that went wrong, ideas that fizzled out, expectations decidedly unexceeded—and exploring how failing miserably is crucial to artistic achievement (and maybe even finding happiness).
More info here: http://vimeo.com/awards/festival/conversations#failure-ftw
The other panels look to be pretty f’n awesome, so you might want to check those out too.
Available nationwide on Cable VOD, iTunes, Amazon – June 19
Opening in select theaters – July 6
Robert Longfellow (Martin Donovan, THE OPPOSITE OF SEX, “Boss”, Weeds”) is a famous playwright who can’t seem to catch a break. His recent Broadway play was met with horrible reviews and an early cancellation, and his marriage is being tested as an old flame (Olivia Williams, THE GHOST WRITER, RUSHMORE) has reentered his life during a particular moment of weakness. Retreating back to his childhood home to visit his mother (Katherine Helmond, BRAZIL), Robert crosses paths with his childhood neighbor, Gus (David Morse, THE GREEN MILE, DANCER IN THE DARK, “Treme”). A right-wing, ex-con who still lives at home with his mother, Gus is Robert’s polar opposite in every possible way. When Gus holds Robert hostage at gunpoint during a drunken reunion gone terribly wrong, the drama unfolds as social status, celebrity and the imminent threat of violence converge, building up to a climax that will leave both men forever changed.
2012 VIMEO FESTIVAL + AWARDS PROGRAM GATHERS THE GREATS TO EXPLORE WHAT’S NEXT FOR CREATIVE VIDEO
- Keynote Address: The End of the Beginning with Dr. Reginald Watts
- Failure FTW (For The Win)
- The Story Is Everything
- Director Profiles
- Building Your Audience
- The Art of Getting Paid
- The Future of Creative Careers; and many more.
This site could not have been built without the help and insight of Michael Morgenstern. My thanks go out to him.
Help save indie film and give this guy a job in web design or film!
