Sort of…
Now, for the first time ever, anywhere…. sort of… the full length interview Filmcourage did with me. Got 30 minutes? I don’t know mind if you even play it in the background!
If you need a
Sort of…
Now, for the first time ever, anywhere…. sort of… the full length interview Filmcourage did with me. Got 30 minutes? I don’t know mind if you even play it in the background!
If you need a
Like most of us, I wander around the web and like to get lost. The best times are when from being lost, I am found. You know what I mean? You know how sometimes you find something that feels like they wrote it or built it just for you? I like that. I like that a lot.
It’s happened a few times for me in 2013. I thought I would share it with you. The following folks are doing great posts, and I only just stumbled upon them this year (2013).
By Rob Millis
Of more than 300,000 people going to SXSW this week, there are four whom every filmmaker should pay especially close attention to. They are easy to find if you’re going to be in Austin this week, because they will all be part of the Meet the Insiders sessions. For those of you staying at home, bookmark this list and do a little googling to keep tabs on what these four gurus are up to.
Ingrid Kopp, Tribeca Film Institute
Ingrid Kopp has been deeply involved in breaking new ground for independent filmmakers for over a decade. From her time at Channel 4 in the UK to running the US arm of Shooting People to her work with Tribeca Film Institute, she has a uniquely valuable understanding of where film has been and where it is going.
You are in, and now you have all sorts of wonderful problems — the kind most filmmakers wish they could enjoy. You know, you have to do all the things you have to do for a film festival. I have tried to collect the various blog posts I have written or have found written by others that will really prepare you. There’s a lot more to be written. But this is a good start:
Today’s guest post is letter to YOU from Peter Broderick. Okay, it is to me, but only so I can forward it to you. This is a can’t-miss-event.
Dear Ted,
We would like to invite your colleagues and readers to Distribution U and offer them a special discount (see end of post). It is a unique event that will give them the latest information about new distribution models and connect them to many of the people who are pioneering cutting edge strategies. The event is being presented by me, Peter Broderick, a leading strategist and pioneer of new distribution models, and cutting-edge author and tech analyst Scott Kirsner.
This one-day crash course on the New Rules of Crowd Funding, Audience Building & Distribution is being held Saturday, November 13th in New York at NYU and the following Saturday, November 20th in Los Angeles, where it is co-sponsored by UCLA’s School of Film, Theater, and Television.
We are very excited about the stellar roster of resource people who have already committed to participate. They are pioneers who are creating and implementing the latest distribution models and strategies.
Today’s guest post is from filmmaker Chris Ohlson. Chris produced one of the indie films that I truly enjoyed last year, THE OVERBROOK BROTHERS. Check it out; you won’t be disappointed. He’s making the move into directing now.
I was recently invited to the IFP Narrative Filmmaker Labs with my directorial feature film debut Melvin. (the IFP Labs workshop and mentor 10 narrative works-in-progress that showcase ‘creative promise and vision’) To be able to participate in the Labs was a truly humbling and altogether amazing experience – and I have much to share.
But first, some quick and fast back-story. I’ve been a working producer and production manager surviving by doing commercials, web series and music videos. In recent years, I have acted as some variation of a producer on films like The Overbrook Brothers, Lovers of Hate and The Happy Poet. So that’s what I do, but not necessarily who I am. I am a filmmaker.
Back to the Labs. Early in the week Scott Macaulay (Editor of Filmmaker Magazine and producer of Gummo and Raising Victor Vargas, among many others) said something that brought the Labs to life for me. “As a producer,” he said, “I try to learn from my mistakes and I try to never make that particular mistake again on the next film, or the one after that.”
Simple enough, right? But I was thunderstruck.
Scott Macauley tipped me to NoFimSchool’s post on Google TV. It, along with all the excellent links in the comments there, have picked up my spirits. Now with a little SEO strategy, maybe everyone can get a bit closer to having their work seen. Maybe soon they can even make some money from that and pay off this expensive hobby we have!
If you prefer to get your news from a major source, here’s how the LATimes are covering it. It’s true that with all the myriad of options, we need better search tools. I just wish that people would offer more filters. It’s one thing to be able to find what we are looking for, but we still need to know what it is that we want — particularly if we want to make other work that that which is justified by a huge marketing spend.
I know I want a few trusted curators. Let me know if you know where I may find them.