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Truly Free Film

Nobody Knows Anything #7: Archetype Theory

By Charles Peirce 

Nobody7-300Originating in the thinking of Plato but finding its modern applications from the work of Carl Jung, Archetype Theory is a way of looking at and defining the world that has numerous uses, particularly in marketing and storytelling. At the least, Archetype Theory gives a structural thematic underpinning to organize ideas around. At the greatest, Archetype Theory might allow a primal, subconscious form of resonance and communication with audiences — speaking to them beyond the limits of language.

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Truly Free Film

What Happens to the Filmmakers Who Can’t Market Themselves?

By Reid Rosefelt

XWhat-happens-to-filmmakersMaking a great movie is hard. Marketing a movie might be even harder.   There are many good movies every year, but there are far fewer well-marketed ones.  The list of people (and studios) who market films successfully year after year is a very elite club.

When I began working as a publicist, most American filmmakers weren’t expected to be able to promote his or her own work.  Nowadays every filmmaker is expected to be able to shoulder that burden.

How scary this must be for filmmakers.

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Truly Free Film

Nobody Knows Anything #6: Principles of Strategy

By Charles Peirce 

Nobody6-300Strategy is a great personal passion, but something I find few people have an adequate grasp of. While the basic assumption seems to be that advice of all kinds is inherently strategic and of value, it is often anything but. Any given suggestion or piece of advice is only worthwhile inasmuch as it allows the attaining of a goal — without knowing that goal and measuring the success of attempts to attain it, you are not operating strategically: you are merely using tactics of unknown value.

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Truly Free Film

Life Cycles of Social Media Networks

By Reid Rosefelt

Social Media networks go through phases in their lives, just as we do in ours.

Most of us go through periods of adjustment which we handle with varying degrees of success. Many of us don’t climb very high up the ladder of success, and it’s a rare few that become superstars like Justin Timberlake, Jennifer Lawrence, Facebook or Twitter.

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Truly Free Film

Nobody Knows Anything #3: What Makes A Film Successful?

By Charles Peirce  

Nobody3-300There’s a certain watercooler betting-pool mentality that accompanies the box office results of movies, as though their success were completely encapsulated in a single opening weekend’s results. This despite the fact that everybody knows Hollywood accounting is particularly slippery, that budgets never reveal the accompanying marketing costs of films, that foreign market revenue is increasingly important to the success of many films, and that ancillarly sales can be a primary rather than secondary revenue stream. Nonetheless, we seem to equate box office numbers with whether a film worked, whether it’s worth anyone’s time, and whether it’s going to ruin somebody’s career or save it.

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Truly Free Film

How Chris Christie and Ira Deutchman made me a SEO Master of the Universe

By Reid Rosefelt 

When you finish reading this post you will possess the key to becoming a mighty internet power user.

For no charge, I’m going to share a huge breakthrough I made. That’s the kind of guy I am.

Chris-Christie-Ira-Deutchman 1It all started just as the Chris Christie Bridge-ghazi scandal was gathering steam. Like many, I googled the besieged Governor to see if there were any new developments.

One day, I saw something that surprised me: on the first page, right under CBS News, MSNBC, Chicago Tribune, the Office of the New Jersey Governor, Christie’s Wikipedia entry, the Chicago Tribune again, and the Washington Post, was a link to something from my friend, celebrated indie film man Ira Deutchman. “Wow,” I thought.  “Ira must have generated something pretty big to generate a search engine smasheroo like that.” As you might imagine, I was on pins and needles to find out what Ira had come up with.

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Truly Free Film

Nobody Knows Anything #2: What Makes A Film Good?

By Charles Peirce  

Nobody2-300

Everyone, I’d hope, has some thoughts about what makes a film good. Perhaps it displays a degree of craft or a particular aesthetic sensibility, covers specific subject matter, has a quality story, certain stars, etc. As you get older and your exposure to cinema becomes both richer and more refined, that definition probably becomes more nuanced. Still, if further pressed most people will also have some few “guilty pleasures” — films that don’t fulfill all their own requirements of what makes for a good film but which they like anyway. Perhaps they were childhood favorites, particular genres or kinds of stories that give comfort, or they just have an indescribable something. It can all seem very subjective, but that discrepancy, between our self-defined tastes and our secret loves, is a telling one.