Categories
Let's Make Better Films

Learn How Your Actors Think

As a director or producer, you need to be able to understand how your actors think.  As a director, it doesn’t hurt to know how your producer thinks either, so you might want to read this blog.  Both directors and producers, need to know how their crew thinks.  And these days all should know how investors and distributors think, and those involved in the infrastructure elsewhere, like agents. Then there is the audience; let’s check that box too. Heck we need to know about critics too. And Festivals.  The list never ends!

So where do we begin?

Fortunately for us, ActorsAndCrew.com put together this nice list of their recommendations on the Top Ten Books on acting. Perhaps some one can put together the same on:

  • Producing
  • Crew: Casting Directors, Cinematographers, Editors, Production Assistants, Production Designers
  • Film Financing Now
  • Distribution
  • Agents, Managers, Publicists
  • Film Fans
  • Festivals
  • Critics

If we build these lists, I do think it will all get better, albeit not quite at the pace we may so desire.

Categories
Truly Free Film

The Economics Of Giving It Away (For Free)

Chris Anderson has a good update on his seminal “Free!: Why $0.00 Is The Future Of Everything“.  The new article is online here at the Wall Street Journal (for free!).  He may be discussing web start-ups, but it is 100% relevant in terms of our search for a new model. 

Categories
Truly Free Film

What works: ITVS Digital Initiative

I wish I had spotted this earlier.  

ITVS hired Scott Kirsner to find out what digital tools filmmakers were using and what was working.  The report focuses on three main changes:

  1. Opening Up Production to Participation
  2. Finding New Audiences
  3. New Distribution Opportunities
They have five top strategies for social issue filmmakers.
And they have five case studies to read.  Here’s the one on TFF Hero Tiffany Shlain.
One thing that particularly resonated for me — and I have heard from other filmmakers as well — is that the filmmakers wish that they had DVDs for sale at their premiere.  I wonder if any filmmakers at Sundance will head this advice…
What are you waiting for?  This is Required Reading.
Categories
These Are Those Things

Windsor McCay


Over at Bowl Of Noses, I’ve posted about one of my true heroes, someone whose imagination has driven mine, whose art has inspired me and driven me, whose life I wonder about: the man who gave us the comic strip, moving pictures, and true hybrid works, Windsor McCay.  Little Nemo In Slumberland and Dreams Of A Rarebit Fiend are must haves, true Essential Reading.  

I just had the pleasure of stumbling across a study he did, a work in progress.  CENTAURS are the early stages for a film we will never get to see.  But we do get to see his strong line drawing and the personality he injected into each character while delving into art in the age of mechanical reproduction.  The joy the young centaur — they would truly be “kids”, right? — projects at the end of the piece speaks to what could have been.
The curse that the only Little Nemo we have to enjoy as a completed animated film is the one we have is a true misfortune.
Enjoy this instead.
Also be sure to check out Meeting McCay, hailing from Windsor’s home town in Michigan, Spring Lake, and chock full of good stuff on the man, his art, and his influence.
I recommend you buy the books, but you can enjoy an excellent taste of Nemo over at the Comic Strip Library.
Categories
Let's Make Better Films

True Indie Film Hero #3

Peter Broderick, who has been preaching the DIY Distro gospel longer than anyone I know (and thus is also on TIFH chart), has written a great two part article on the benefits of living in the real world aka the new world for IndieWire.  It’s REQUIRED READING.

Part One.

Part Two.