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The Next Good Idea

We Are Motivated By Expressing Purpose

Autonomy, mastery, and purpose are what drive people once they get beyond financial reward.  If we can stop worrying about money we work towards these other things.  I never liked anyone telling me what to do.  I like to feel good about the work I generate and I want people to need it.  Ultimately I want to feel that

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Truly Free Film

10 Steps To Determine If This Is The Right Partner For You Right Now

In my producing pursuits, I have had some of the best partners in the world.  I think we have served each other well.  But what was good at one time, does not always apply to your situation today.  People change faster than relationships do.  It’s hard to keep up. A good business and creative partnership is constantly evolving to shift with the personalities involved.  It’s hard sometimes to step back and see it how it really is.  The answers and the problems are often hidden in plain sight.  How do you evaluate what is right?

Work with those you know will turn the wheel to the right
Work with those you know will turn the wheel to the right
  1. When the truck is careening down the road and your partner is behind the wheel, which way will they turn?  If they are in America, you need the partner that will alway turn to the right, putting themselves between you and the truck.  Likewise, if
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Let's Make Better Films

Can We All Improve How We Do What We Do?

Can we and the people we work with actually get better at the things we do?  And can we get better, faster?  Are there things that we can do for each other that might expedite the process?  How do we transcend the plague of doing well enough?

On low-budget indie film shoots, the collaborators are of a wide range of experience levels.  Such  films are also chronically plagued by a paucity of funds and time.  Too much to get done, and not enough resources to really get it done perfectly, or sometimes even just well.  With a hundred things needing to happen at any given time, your head will pop if you concern yourself with everything that goes wrong.  It does seem like those that often do best are those that have learned not to sweat the petty, or perhaps some sort of zen-esque understanding of the world (that is combined with the sort of hyper-focus of concentration in the things that make all the difference — and that will some other post further down the line).

The Serenity Prayer that Alcoholics Anonymous has adopted always seems fit as a method to manage the creative chaos that defines most film production.  Granted, I get some criticism in life for having too great expectations of people and things, believing always that one time we all will hit our high point, but I really think by dropping our ego, finding a way to point out what can be done better, explaining the reasons why, we can rise to the occasion and one day truly get it all in sync and do beautiful work.  I want us to do more and to do it better, myself included.  Let me get to that, but first, I think it’s worth looking beyond the first three lines of the Serenity Prayer, and look at the rest of it:

Serenity to accept things we cannot change,
Courage to change the things we can, and the
Wisdom to know the difference
Patience for the things that take time
Appreciation for all that we have, and
Tolerance for those with different struggles
Freedom to live beyond the limitations of our past ways, the
Ability to feel your love for us and our love for each other and the
Strength to get up and try again even when we feel it is hopeless.
This post is about how to have the courage to change the things we can.  Let’s assume we recognize what those things are.  What do we do to get them changed?

Many times on film sets, I see folks hesitant to say what they feel, not wanting to complain, not wanting to demand that things are better.  When things are sloppy or unsafe or could be handled in a better manner that will most likely yield a better result: SAY SOMETHING.  Don’t be cruel, but be direct.  Explain, why you think it will work better if they did something differently.  Speak of the result you want to obtain.  But speak up.  Maybe you have to pause and wait for the right time to be truly heard, but speak up.

And when they don’t get it right, take action.  Step in, get it done, and recognize when you have to make a change.  Be it a director or a producer, if I have heard it once, I have heard it a 100 times: “whenever I considered firing someone, I end up always wishing that I had done it then and there, and when I haven’t done it, I always regret it.”  Under the right circumstances, people can learn from those mistakes.  What are the right circumstances that help us all learn?