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Truly Free Film

Buffalo 8: The Realities of Raising Capital for a Feature Film

 By Matthew Helderman, & Luke Taylor

Introduction
The difficulty in raising capital for any venture is two fold: first off, the market is crowded with opportunities that are currently earning strong returns. The stock markets, the bond markets and the traditional high yield sectors of real-estate, speciality finance and lending all present solid outlooks financially.
Second off, speculation is the killer of many financial deals. Being pragmatic and logical – who wants to invest in an opportunity when the return not only is unlikely but the timeline is completely unknown?

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Truly Free Film

On Indie Street: Social Causes Build Loyal Audiences

By Jay Webb

Screen shot 2013-08-19 at 4.51.06 PM

Previously: What Are Films Without An Audience?

 Screen shot 2014-06-15 at 11.09.40 AMA large portion of our population has thankfully grown past the phase of only wearing bracelets to feel like we are agents of change in our world or society.  Today the world is small enough and access is great enough for every individual to truly make small changes that can accumulate to create huge impact on life and planet. Filmmakers are some of the most dynamic multi-taskers of our world society, and on top of that they already have a solid medium with audiences they can inspire to make important world changes.

With most all film projects, a director must envision some type of change he/she wants to inspire in the film’s eventual audience.  Whether it is changing their perspective, making them laugh, or giving them insight into the world around them, your story should have a designed emotional shift for those you share it with.  Having a grasp on this desired viewer transformation not only helps a filmmaker determine their core audience, but might also lead toward partners that will help to champion the film and build a larger base of fans for the future; not to mention it might do some good to your world. 

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Truly Free Film

Case Study: A Lesson in Failure

By Beanie Barnes

_DSC5649As tough as failure may be, something good can come of it – an opportunity for improvement.  There is a stigma and shame that tends to come with failure, so much so that people rarely accept “failure” as an actual reason for failure.  We often bury failure and, along with it, any opportunity to learn and grow from examining it.

Failure is cumulative.  Just as success can breed more success, failure can breed more failure.  Which is why it is so important to learn from it.  That’s why, as noted in my previous article, I’m providing details about my failed effort as a first time distributor, working on the film, FOUR.

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Truly Free Film

Inside the Writers’ Room: Post #4: New Patterns of Attention (and Addiction)

By Christina Kallas

images-1The comparison with a novel or with watching a very long movie is a good one for yet another reason: serialization means that you cannot watch the episodes in whichever order they reach you. You have to watch the whole season as if you were watching a 12-hour movie. Terence Winter, creator of Boardwalk Empire and one of the writers for The Sopranos) talks about how the effort still goes towards ensuring that each episode may stand alone, as if it were a mini-movie. So when you just happen to watch this one it still has its own beginning, middle and end, and it makes sense. But it’s like one chapter in a book. To really appreciate it you have to watch the whole series, as you would read a book.

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Truly Free Film

Buffalo 8: How To Sell an Independent Film & Actually Make Money

By Matthew Helderman, & Luke Taylor
 
Introduction
Completing a film is a feat in an of itself — but selling a feature film in the current international indie film climate is another story all together.
 
Before embarking on the writing & development stages of a feature film — take some time to dissect the market and assess the realities:
 
The market is heavily over saturated — attending any of the major film markets will reveal this truth. Cannes, AFM, Berlin, Toronto, MIPCOM, etc… There is much more content than viewers could ever possibly absorb. 

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Truly Free Film

Failure to Address Failure is the Problem

By Beanie Barnes

My favorite philosopher wrote that, in order to understand success and analyze what causes it, we need to study the traits present in failure.  He pointed out that people who fail do not really write memoirs – generally, publishers do not return their calls nor do readers pay for such stories, even if a story of failure is more valuable than the one of success — just ask the authors of the brilliant book, What I Learned Losing a Million Dollars, which they had to self-publish.  This disregard of failure happens a lot in film where we often (and only) celebrate success.  That is why it was so amazing that Sundance, at this year’s festival, opened the Pandora’s Box that is “failure.”

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Truly Free Film

Inside the Writers’ Room: Post #3: And What Should We Call It?

By Christina Kallas

TV-series-The-Sopranos-001So should we be discussing TV series as nothing less than long cinematic narratives? And if so, what would that mean? It is fair to say that TV, just half the age of film, has only recently (perhaps in the last 15 years) come into its own. Writers have only recently learned to take advantage of the unique powers of the medium itself. For years the focus was on each episode being a complete story, a standalone. Not only in procedurals but in series generally, the dramatic focus was on the unit of the episode. A TV episode was a mini-movie (much as a web episode is a mini-TV episode now). Then the primary canvas of the TV medium became the season.