By Kavita Pullapilly
Going into their next feature film, BLUE POTATO, award-winning filmmakers (and past contributors to this blog with a great series of posts “The DIY Chronicles“) Aron Gaudet and Gita Pullapilly wanted to answer a question that all independent filmmakers want to know: How can independent filmmakers and studios collaborate in a more profitable and cost-effective way to get quality films into the marketplace?
Working with a team from the Harvard Business School, Gaudet and Pullapilly created a strategy to minimize risk, increase audience reach and maximize profit potential for potential distributors for BLUE POTATO. Read about how they developed key strategies for marketing and distribution that makes their film attractive to studio buyers. And find out how they evaluated their film so that they could reduce their financial risk while still accomplishing their goals in production.

things, but still, you end up with a bargain price on a zillion itsy-bitsy ads that I personally don’t think will directly lead to anything as big as a ticket purchase or a video viewing. Selling shoes or an exercise program or ice cream cones, yes; movie tix, no. In my opinion, the sole purpose of those itsy-bitsy teeny-weenie ads on the right side of the page is to drive people to like your Facebook page. It’s worked for me and countless others and it can work for you (if you do it right).
