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Issues and Actions

FILMONOMICS: 7 Silicon Valley Secrets for “Social Proof”

By Colin Brown

In The Wall Street JournalSlated was described as “Soho House for film financing, due to the requirement that you must be invited to be a member.” Another point of reference could just as easily have been AngelList. For those unfamiliar with this game-changing website, AngelList is a powerful funding vehicle that connects startups with a who’s who of early stage venture capitalists, high-net-worth individuals and angel investors. Simply put: AngelList is to Silicon Valley what Slated is to the film industry. 

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The parallels are close enough that AngelList serves as an instructional laboratory for anyone wanting to know how best to take advantage of their presence on crowdfunding platforms. It helps answer the first question asked by many newly enlisted industry executives still getting their heads around social leverage as a film financing tool, namely: ‘what do we do now?’

AngelList is a transformation-in-the-making that points the way forward for other long cloistered industries including entertainment. While the basic principles for investing in startups remains pretty much the same, the tactics have been evolving fast. You could say the same about film investing. Every few months, in fact, AngelList inspires a revised set of behavioural tips and conduct codes for successful fundraising, smarter investing and more effective profile-building in that particular sandbox. Here are links to five such lists: 

All these articles are worth reading for their own sake, if only to get a keener sense of how Silicon Valley thinks about the business of backing disruptive ideas. As you read, keep in mind too that today’s technology angels are likely to be tomorrow’s film investors – and that these are the investment rules and social metrics that they’ll choose to play by.

But for those in film who like to cut to the chase, I have synthesized these fifty-some observations and distilled them into seven core pointers that are of more immediate relevance to equity crowdfunding platforms such as Slated. In so many ways these tips are simply adaptations of what already works in the elaborate real world of film networking – only they have the potential to work much faster:

  1. BUILD YOUR DREAM TEAM: whether it’s a startup or a film project, seed investors will look for same basic elements – a strong team, meaningful milestones and a differentiated product in a clearly identified market. Success hinges on “social proof.” Surround yourself with a proven filmmaking team and, where possible, attracting an influential champion as anchor investor or company affiliation. Make sure that all your big-name supporters take the trouble to fill out their online profiles and then endorse you to their own followers. It sends out a strong credibility signal.
  2. BE ROCK SOLID FROM THE START: because first impressions count, it pays to spend time and energy getting it right. Putting in a half-baked effort has been described as a cardinal sin; film investors might say similarly about potential projects. Arrive as fully packaged as possible with verified talent, detailed financials and company affiliations, and with as much collateral material as you can muster. A website with a good URL, a killer video, a twitter presence, social media mentions and any metrics demonstrating film comparables, global book sales, YouTube hits, fan-base followings etc. can only help in conveying early traction and a pre-disposed audience. Doing this work upfront will make your profile pop.
  3. RESEARCH AND RIFLE TARGET: Advanced filters on Slated make it easy to find both accredited investors and all the films that have reached their financial targets. Before listing on the site, begin to reach out to those on Slated you already know so that your project is instantly embraced. Once on Slated, resist the scattergun approach. Spend time to target your ideal short-list of suitable investors and pinpoint strategic partners based on required elements besides just money. Knowing what you need is seen as a positive; but approaching investors who clearly wouldn’t invest in your kind of project is a telltale sign of a rookie.
  4. KEEP YOUR PROFILE ACTIVE AND GET PERSONAL: Slated is a momentum-driven platform where hot projects get hotter. You need to generate buzz through a constant communal hum. Personalized Introductions help enormously. Because syndicating funding rounds is a big part of what investors do, investor intros get opened far more than a generic profile. In addition, get your most influential supporters to promote you using the Track and Share buttons. Feed them sound bites if necessary – anything to keep your profile from growing stale through inactivity. “Game” the system by making constant updates to your profile, as such changes will show up in the weekly news feeds that get disseminated to members. While it certainly pays to keep Slated abreast of your entire production history at frequent and regular intervals, it is not in your long-term interest to overplay this card. In ensuring visibility for your project, make sure you are adding value to the group, not detracting from it.
  5. BE RESPONSIVE AND READY TO PITCH: fast responses have been shown to increase your chances of closing a deal. Fortunately, you have all the tools you need these days to pounce quickly. You can communicate with them visually via Skype, Gmail video chat, Go2meeting and so on, for which you should have your pitch documents always ready to hand. And services like Tout will allow you create what seems like a personalized email the moment an investor asks for that intro. The key is to follow up within hours. Some Silicon Valley investors believe there is a strong correlation between those that respond to late night emails and their entrepreneurial commitment.
  6. SPUR INVESTORS INTO ACTION: getting an investor to actually commit on the dotted line is a challenge facing all those in search of financing. While many other factors come into play, nothing quite beats fear and greed as investment catalysts. Investors afraid of missing out on an opportunity that is simply too good to pass up will tend to be the most motivated. Setting an artificial funding deadline only works if the prospective investor knows that the deal has a real chance of being taken off the table beyond that date. A more affective deadline might be a looming production date, an irreplaceable actor’s tight schedule, or a pre-emptive deal offer ahead of an industry event such as a film market. Best of all is the prospect of a bidding war that will lead to a skyrocketing valuation unless the investor jumps in now.
  7. TRACTION IS THE NAME OF THE GAME: while it is easy to obsess entirely on fundraising, it is worth keeping in mind that Slated offers other commercial pay-offs beyond just the quick hustle. Getting a great sales agent attached is worth its weight in distribution gold. So too is the sustained industry awareness that can be built around your project if you take the time to make measurable, meaningful progress with your Slated film. If nothing else, you will have a giant head start over other films of comparable quality when your project starts being shopped around at film markets. The perceived value of your project will rise commensurately. Given the sterling pedigree of Slated’s network of investors and industry players, there is surely no more cost-effective way of standing out from the noisy, global crowd.

And, finally, be aware that you are at the forefront of transformational change. As such, the rules of engagement will be in an inevitable state of flux, particularly in these early learning days.

Colin Brown

Editorial Director of Slated

Categories
Truly Free Film

Indie Street Post #1: Introducing “Group Distribution”

By Jay WebbScreen shot 2013-08-19 at 4.51.06 PM

Step 1 to building a street: Clear the Brush and raise the land.

1. The Tycoon.

So it seems appropriate to start this series of posts by explaining how IndieStreet came to be.  Last year, I was completing a screenplay that I had been working on for a few years, and was about ready to start the daunting fundraising process.  Before I started sending out the business plan for the film, a friend of mine, Chris, told me that he wanted me to first meet his old boss who had just sold his contracting/tech company for a cartload of cash.  He said that this Tycoon was looking for an alternative investment, so maybe this film raise was going to be simple.  HA!

By the second month of presentations and dinner meetings, it seemed to both my friend and I that the Tycoon was our guy.  He met with us on numerous occasions and seemed in many ways to actually be courting us.  More importantly, each meeting resulted in more synergy and productive dialogue than the previous.  

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Truly Free Film

Diary of a Film Startup: Post # 34: Secret 19 Point VoD Marketing Plan

By Roger Jackson

 

Previously: VoD: Frequently Asked Questions

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We continue to ramp-up deliveries of Kinonation films — we’ll have 100+ movies live on beta partner VoD outlets by the end of August. So now I have 100 producers asking about VoD marketing. I’ve been working on a marketing plan — not a gimmick, but an actionable, effective system to really launch a film, every time it goes live on any VoD outlet. The “launch” metaphor is apt, I think, because a film needs a booster-rocket to get things rolling. VoD outlets are driven by algorithms — you need maximum thrust in the first days live to get a film onto their best-seller list. Today, writing this post,  I decided to nix the “secret plan” thing — it’s not like it’s rocket science anyway — and share pubicly.

Here’s Part I of our 19 point plan. The real secret is to get this done in a very compressed time horizon — a few weeks at most — so it has the biggest impact coinciding with each time your film goes live on an outlet.  Executing on this plan is NOT a trivial amount of work, probably 100+ hours.

  1. IMDb: staggeringly important, everyone from consumers to VoD outlets to distributors make this site their first stop — and therefore their first impression of your film. Way too many films don’t even have a poster here. You must. It’s mission critical. I know, it costs $35. You have to do it. Next, get some people (cast, crew, friends, family) to rate AND review your film on IMDb. You need a credible # of people…9/10 is meaningless if it’s from a total of 4 people. Here’s the IMDb page for a successful Kinonation film. 8.9/10 from 80 users. Check. Forty critic reviews. Check. Only 3 user reviews. Needs work. Note that this film, like every film we distribute to Hulu, is now automatically available on IMDb via an embedded link. Cool.

  1. Poster: it’s my opinion that poster art is the single most important factor in getting “organic” sales on VoD platforms. By which I mean viewers who are just browsing. Keep it simple, big, bold, readable. Sexy helps too. Or gross.There are many reasons why the health doc Fat, Sick & Nearly Dead is a VoD best-seller — love it or hate it, this is a provocative poster.

Categories
Issues and Actions

FILMONOMICS: Predictive Analytics vs Humans

By Colin Brown

Those that think Twilight, The Green HornetThe Beach, The Abyss andBoston Shuffler are a bunch of movie titles are only partially correct. They are all nicknames for just a few of the algorithms used on Wall Street to give firms those precious milliseconds of trading advantage. Some two thousand physicists and mathematicians work in the financial sector cooking up these computational black boxes – and a handful are now applying such predictive modeling and risk evaluation skills to the film industry in order to determine why some movies click and many others don’t. With worldwide spending on filmed entertainment climbing towards an annual $100 billion and beyond, 
the pay-off is self-evident. 

Cinema historians will point out that movies have always been subject to generic modification in order to maximize their appeal across multiple markets and cultures. Studio distribution executives will tell you that older-female-targeted films tend to “over-perform” in Germany and Australia, while Latin America has an outsized soft spot for family fare. And Hollywood tailors its films accordingly.

But such factory-belt fine-tuning is nothing compared to the scientific wizardry being applied today. Consider the following:

    • Netflix, awarded $1 million to the team that created the collaborative filtering algorithm known as Pragmatic Chaos that predicts user ratings for films based on previous ratings. According to TED speaker Kevin Slavin, in his memorable talk on how algorithms are shaping our world, this one piece of code accounts for 60% of the movies that end up getting rented.
    • As mentioned in a previous Filmonomics blogEpagogix uses artificial neural networks to analyze screenplays with a view to determining their probability of commercial success. Meanwhile, professors at NYU Sternand Pennsylvania’s Wharton School claimed to have a devised 
      a reliable screening method for choosing movie scripts based on “textual information” – including the use of specific words.

While different in their methodologies, these algorithmic approaches share a fundamental trust in data analysis as the best filtering system. For those who think that the creative vetting process is best left to humans, there is a contrasting set of computational tools that might be broadly termed social recommendation engines. These rely on the curatorial instincts of one’s peer-groups. These influential tribes could be your friends on Facebook banging the drum for the film they just saw at the multiplex or film festival. Or they could be the membership network of 300 movie professionals whose votes determine those as-yet-unproduced screenplays that deserve to be included on The Black List.

Conceived by Franklin Leonard, VP of Creative Affairs at Will Smith’sOverbrook Entertainment, The Black List is perhaps the nearest we get to an instant snapshot of Hollywood’s collective taste buds. And it’s persuasive too: more than 125 past Black List scripts have ended up getting produced and being released theatrically, generating $11 billion between them. Successes include four of the last eight Oscar-winning screenplays.

Building on its hit-making potential, The Black List announced last year the launch of an online members’ community that will make algorithmic screenplay recommendations based on individual tastes. Users can now explore real-time updated lists of Hollywood’s most liked scripts. By offering
a blend of human insight and artificial intelligence, The Black List is affirming the need for both sets of tools in order to decode the DNA of filmmaking success. As we are learning, each inspires the other. It’s a no-brainer.

“We all fear the ‘future script’ spit out by a robot. But we can take comfort in the fact that the human brain is its own vast data storage program. A serious artist does his or her own rigorous study of successful works to lodge the common elements and patterns into their unconscious and inform their artistic output,” notes Jennine Lanouette, a story consultant who lectures at both Lucasfilm and Pixar (and will soon be contributing periodic blog posts on screenwriting analysis for Slated).

“As I see it, there is room for both – the organic artistic process and the set of objective measurements. The best application I can imagine of these computer prediction methods is in determining the size of the budget for a given project, and discovering niche market or sales territory potentials. The danger, in our winner-take-all economy, is everyone wanting to compete for the same gold ring – the billion dollar box office take. This is when art loses out. A computer might be able to maximize return on investment, but it will never create art. You need a human soul to do that.”

Colin Brown

Editorial Director of Slated

Categories
Truly Free Film

17 Reasons Why Chicks Actually Make Better Directors

By Jill Soloway (director of AFTERNOON DELIGHT)

1) We grew up playing dolls.

No one believes me, but honestly? Making a movie is closer to playing dolls than ANYTHING ELSE IN THE WORLD. As children we sat on the floor, gave the dolls names, dressed them up in hot pants and pleather belts and gave voice to scenarios. And yes, we also smashed them together and made kissy sounds so they could make sweet, sweet, plastic love. I did that with Kathryn Hahn and Josh Radnor in my movie too!

2) We put on Thanksgiving

Women can make a space in their brain big enough to plan a seven-course dinner for thirty friends or a twenty-three day shoot for a crew of forty. Shopping list, shot list – they’re more or less the same thing.

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Truly Free Film

Four Simple Rules for Marketing Your Film (And Why Social Media May Not Be for You)

By Reid Rosefelt

4-Simple-RulesI’ve been a film publicist for 35 years and have worked on hundreds of movies.  Whether a film ended up grossing a hundred thousand or a hundred million, my approach has always been essentially the same.

1) Be Consistent With Positioning

The  most important task for a marketer is to find a description of the film that accentuates its strengths, minimizes its weaknesses, and makes you want to see it.  In the trade this is called “positioning.”

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Truly Free Film

Diary of a Film Startup: Post # 33: VoD: Frequently Asked Questions

By Roger Jackson

Previously: How to Make Your Film a HIT on Hulu

At Kinonation we get asked certain questions all the time — important issues that deserve thoughtful answers. Bottom line: the world of video-on-demand is new, developing fast, rather complex and full of nuance. Thus, there are no dumb questions. Here are the most frequently asked.

Is my film guaranteed to get on all your outlets?

No. The outlets cherry-pick the films they think will do best for them. The exception is Amazon Instant Video, who believe that curation is the job of the consumer. So any feature film is guaranteed to get onto Amazon, assuming it meets minimum tech standards.

How long until my film is distributed?