By Russ Collins
Gary Meyer wrote: I do not like to be a doom and gloom guy but I think there are big changes afoot for commercial cinemas, but not the scenario predicted here. Steven Spielberg Predicts ‘Implosion’ of Film Industry
By Russ Collins
Gary Meyer wrote: I do not like to be a doom and gloom guy but I think there are big changes afoot for commercial cinemas, but not the scenario predicted here. Steven Spielberg Predicts ‘Implosion’ of Film Industry
by Andrew Einspruch
Filmmaker Andrew Einspruch recently attended the Australian International Documentary Conference and wrote a series of articles for the event, which he’s graciously allowed us to reprint here. These articles originally appeared in Screen Hub, the daily online newspaper for Australian film and television professionals.
“You learn the most when you have a success,” said Marcus Gillezeau of Firelight Productions. That’s because you find out what exactly you signed away and what you held onto in your contracts back in the beginning. He also said that there are only two times that people read their contracts – when something fails (so they can get out of it) or when something does well (so they can figure out how to get some of the money).
Gillezeau should know. His company is riding the success of Storm Surfers 3D, a feature film that follows on from their previous Storm Surfers TV series. As the award statues cluster on the mantle, more and more people want to get in on the action. He has become something of a self-made expert on ancillary rights, and shared some of that knowledge in a session at this year’s Australian International Documentary Conference.
Gillezeau started by putting this clause up on the screen:
All rights in all media now known or that may be invented in the future in all territories including the universe… and it’s territories and colonies… in-perpetuity.
By Reid Rosefelt
Today many marketers are making twice as much money on Pinterest as they are on Facebook. Does that mean that for you–my filmmaker and artist readers–Pinterest is worth twice as much of your precious time? Yes, and there’s a simple reason.
All the big social networks like Facebook, Twitter, Tumblr, and Instagram have struggled to translate their large numbers into revenue. Eventually, the costs to simply keep in operation get so astronomical that they throw up their hands in despair–and the only answer they can come up with is advertising.
On the other hand, the ability to market and promote is built into Pinterest’s DNA. Pinterest is a colossally effective store that is as fun and addictive as “Angry Birds.” Like that thing you’re looking at? Click. Buy. It’s Google search on steroids.
By Felicity Price
I remember reading someplace that a good story often just falls into your lap fully formed. Now I don’t want to speculate over whether my story is a good one or not, that conjecture is now in the capable hands of film going audiences everywhere, so you can make your own decision, but that’s how it came to me – fully formed. However it still took four years to shape into a script that anyone was willing to finance.
I was stretched out on my couch testing a new theory that perhaps sitting with hunched shoulders and bleeding eyeballs in front of my computer was what was stopping that elusive story from falling… and there it was… I remembered a vaguely told story about a man who went missing in South East Asia while holidaying with his partner and another couple. Tragically, in that true-life story the man was never found again. I was horribly fascinated by the loss and responsibility those left behind might feel and the mystery of what had happened to him. I linked that with a story I already had in my mind about a couple who would fight to keep their relationship together even after the worst kind of betrayal and suddenly I knew I had the skeleton of a feature film.
Part of producing is engineering serendipity. At least part of good producing is. How do we elevate work to the higher levels? How can we bring the mediocre into magnificence? Good producing comes from both the practical side and what many seem to think is the magical side. You have to know how to make basic shit happen on a consistent basis and then you have to learn how to make the rare occur as much as it ever could. It is not magic, but it goes far beyond being practical.
To make the positive aspects of the rare occur more frequently, I have
By Roger Jackson
Previously: Dough Ray Me
Crystal Ball
I thought I’d use this post to think about the future and some of the trends that will affect films & filmmakers, particularly in the video-on-demand space. I don’t want to sound like the pompous visionary. I’m not a visionary and I have no crystal ball — merely informed opinion. This is not what WILL happen, but what I think may happen. And much of what follows may be stating the obvious.
Languages & Territories
The part of the future that gets me most excited is the global market. And I don’t mean just Europe and Asia. There are 7+ billion people on the planet. Right now most don’t have access to movies. Or at least not your movies. Early last year — just before we started KinoNation — I was working in a poor, village in a remote part of Africa, on the border of Mauritania and Mali. Despite extreme poverty and isolation, most of these rural subsistence farmers and their families had cellphones.
I am hoping the entire universe shows up for CHINA IN THREE WORDS at the Palm Springs International ShortFest on Saturday, June 22nd at 1030A for “This Just In“, a collection of six short films ripped from the world headlines of social change. China, Japan, Korea, Syria, & the USA are all featured in the program. The whole festival looks to be pretty amazing. You better order your tickets now.
Not only did Vanessa direct and produce this short, but I had the pleasure of being the Executive Producer. The short is part of Vanessa’s much larger storyworld project on