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Let's Make Better Films Truly Free Film

AO Scott & NYTimes LOVES “Dark Horse”!

Wow. When you love cinema and know how privileged you are to spend your life and labor creating work you love, how can you not give your all to your films? Even still, when you’ve worked hard, compromised your fees, dealt with errors and mistakes, problem people and people problems, you don’t always know it was worth it. Nothing tells you that it was like a good review in your hometown paper, particularly when your home is New York City.

I am thrilled with the love that has been bestowed upon our film DARK HORSE. We open today, at The Angelika in NYC. One screen. Hopefully we will play for months. Hopefully this review will fill the seats. Wow. Wow. Wow.

It’s nice when something you’ve worked years on, sacrificed a chunk of your fee on, that you’ve chosen to distribute, goes off and gets one of BEST REVIEWS EVER from AO Scott & the NY F’n Times!

http://movies.nytimes.com/2012/06/08/movies/todd-solondzs-dark-horse-stars-jordan-gelber.html#

“Mr. Solondz brilliantly — triumphantly — turns this impression on its head, transforming what might have been an exercise in easy satirical cruelty into a tremendously moving argument for the necessity of compassion.”

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Truly Free Film

Indie Filmmaking: You Have To Have Faith

by Christopher J. Boghosian

A few months ago, I plopped down on my couch, let out a deep breath and involuntarily uttered, “It takes so much faith.”

The best definition of faith I could find comes from the New Testament: “Faith is the assurance of things hoped for, the conviction of things not seen.” Although this verse is referring to spiritual faith, it perfectly captures the faith we need to pursue an independent filmmaking career. Because unlike a Starbucks employee who is guaranteed myriad customers and a steady paycheck, us indies must stand on our own two feet; even marketing and distribution has increasingly become our responsibility. We are entrepreneur-artists, a calling that demands “assurance of things hoped for, the conviction of things not seen.”

What strikes me most about the New Testament verse is its implication that a need for faith is relative. First, grander things require more faith. In the same way it takes more faith to sink a 3-pointer versus a layup, it takes more faith to produce a historic epic versus a one-location horror film. Second, faith is relative to one’s power over things; the more leverage you have, the more you can secure. Third, the harder you work and the longer you persevere, the better your odds of success. So it seems a need for faith can be decreased by elements within our control.

But alas, as we all know, there are things beyond our control in independent film; things many believe are much more important to having a thriving career. I’m talking about profitability, public opinion, and professional advancement. I’m also talking about the thing that scares me most: talent. These truly are “things hoped for…things not seen,” which will always demand faith! Sure, we can control them to a certain degree; however, they will forever elude us. (How many times have we seen a celebrated filmmaker produce a critical and box office dud, causing the public to question his/her viability and talent?)

I’m convinced the true worth of faith lies within the filmmaker as a source of strength, energy and hope. It feeds the filmmaker’s soul, compelling him/her to continue onward, despite the odds. Without faith, fear will quickly overcome and defeat even the most ambitious of dreams. In fact, I’m beginning to think that fear is diametrically opposed to faith; complete assurance and conviction is fundamentally devoid of fear.

I’ve been pursuing a career in independent film for a few years now and, quite honestly, I’m tired, physically and emotionally. After numerous short films and a feature, I’m confident that I can control quite a bit; however, the elusive things like public opinion and talent are wearing me down. Just the other day I received another film festival rejection letter, one more punch in the gut, adding to my exhaustion. So it’s no surprise when I plop down on the couch and utter, “It takes so much faith.”

Where does faith come from? How can we have more of it? We can start with the things within our control, e.g., embrace your limitations, broaden your network, work hard and don’t give up. And for the things ultimately outside our control, well, let’s choose to believe rather than doubt. It’s as simple as a choice: fear or faith. Might as well pick the more constructive of the two, right?

Living on student loans as a first-year law student, Christopher realized it was now or never, so he packed his bags and returned to his hometown, Los Angeles, to make movies. Since then, he has fathered multiple short films, a feature and a super-cute baby boy! You can see what else he’s up to at FollowMyFilm.com

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Truly Free Film

Maybe I Should Leave Film, And Go Into Theater…

“if Dark Horse was produced on stage rather than as an independent film, it would probably receive enormous acclaim, like Mike Nichols’ current rehash of Death of a Salesman or shows like Other Desert Cities and The Lyons. But Solondz’s film does what those plays don’t; he dramatizes the spectacle of Abe’s lack of self-consciousness, the moral perspective that contemporary culture drowns out.”

So says Armond White in City Arts in a great review of Todd Solondz’s DARK HORSE. Our screening tonight at the Film Society Of Lincoln Center is sold out, but there’s always are a few seats to be sold twice to the lucky few who show up empty-handed. The film opens in NYC on Friday at the Angelica. As wise as White is, there’s one thing in his review that may not be clear, DARK HORSE is still very much a comedy (as wise as it is too)>

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Truly Free Film

A Partial Letter, Catching An Old Friend Up To Where I Now Am

…. Still trying to make independent movies, but with each new day it seems more and more like an antiquated process. I am sure future anthropologists will not know what to make of the digital remains of the indie film scene. Will it feel more like a religion than a business? The “passion industries” is a nice phrase for cultural creation that is only within the reach of the young or rich; camouflage comes in many colors.

I have had a good run, producing more films than virtually anyone else. And I believe better films (okay, maybe I am biased, but..), and ones with more consistent returns, but damn! It is harder now to justify investment or commitment than ever before — even when the tools have improved and the talent pool grown like never before.  Film, like all the culture economies, has been turned on it’s head, but unlike the others, since the work at the top still delivers a return, our leaders and corporations act like business is as it’s always been.

On the other hand, I am still creating things. I do get to do a fair amount of excavating too, trying to make the process more transparent and open. I get to feel good about that, but it is very frustrating watching what I love crumble away. I see many people with their fingers in the leaks, but few that want to build a new city higher up on the hill, let alone those that want to make that new one run on sustainable systems with open access to all.

I am lucky. I got to do what I loved when I was young. I made that commitment and by the time I grew up (maybe two decades after I was an adult), I was not only using my labor in service of what I loved, cared about, and prioritized, but understood how fortunate I was and fragile it all was, and gifted with that I could demonstrate my passion and commitment to another person by the time I encountered that someone I wanted to devote myself to. Still though we don’t get the time to celebrate all of this; even the thirty minutes we find at the end of the day seems like an incredible feat to achieve. There’s so much to fix. I have never been one to need perfect; I can love the cracks and the leaks — I find them the personality of a place, but I need life’s handyman to come in and sand down some rough edges.

I feel under siege by “weapons of mass distraction”, working like I have several start-ups — and admittedly I do — but at this age I am working harder than ever, and certainly for less return. The pull towards more time to reflect grows constantly. I want not just my work, but also myself and my life, to be a reflection of all that I love and care about.

I am well. I have ten or so movies I am trying to make. It is a bit heart-breaking that some may never happen. There was a time when I had confidence that all my projects would get made. I was wrong, but I think the confidence was well-earned. I have earned more confidence since then but the world has changed faster than the industry, and it doesn’t pay the same dividends that it used to.

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These Are Those Things

How We Build A Better & More Beautiful World

Well, hopefully it doesn’t require us to quite go this far, but who doesn’t love a good machine?

Thanks to Visual News for the tip!

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These Are Those Things

I Wished They Showed Shorts Like This Before Movies

The one part of movie going I really hate is the crap commercials. It seems like everyone plays them now. But that don’t make it right.

If they played shorts like “Peter Brings The Shadows To Life”, I would be a happy man.

HT Metafilter

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Issues and Actions Truly Free Film

Demand The Government To Incentive Job Creation & Support The Arts (via Fed181 Extension)

America is in danger of losing a critical part of it’s culture: Independent Film. All throughout this year I have heard one producer or director after another complain they can no longer afford to stay in the business. I know I too feel this on a regular basis. Yet, here in New York, I have seen the crafts and support elements run at close to full employment. Why? The New York State Tax Credits keep television and other productions going at a steady pace.

There is no question that effective tax policy can also be job stimulus.

Without any policy for funding of the arts in America,it is critical that we incentive potential investors to consider backing the arts. It was great to hear (via Entertainment Partners’ Film Incentive Services) that there is a movement afoot to reinstate Fed 181. They pointed out:

Congressmen Howard Berman and David Drier co-sponsored a bill (HR 5793) to extend the federal film incentive program aimed at keeping film production in the U.S. Internal Revenue Code section 181 expired at the end of last year. The current proposal would extend the election to treat film costs as an immediate deduction rather than a capital expense. To qualify, productions must spend ≥ 75% of the compensation on services performed in the U.S.

The Hollywood Reporter points out the many benefits for the country at large.

“Berman and Drier point out that runaway foreign production has become a national issue. With production of movies and TV programs now occurring throughout the United States, this industry creates well-paying jobs and generates tangible economic benefits to cities and states nationwide. A typical motion picture employs 350-500 people. Production jobs have an average salary that is 73 percent higher than the current nationwide average. A major motion picture shooting on location contributes $225,000 on average every day to the local economy, so it is no surprise that it is seen as a critical engine of economic development in many places across the country.
Thus, the lawmakers argue, extension of the tax not only will help to promote well-paying film industry jobs but will have a ripple effect across broad sectors of the economy by generating revenue and employment opportunities for a wide range of local businesses, such as caterers, dry cleaners, lodging, equipment rental facilities, transportation vendors and many others.”

If you live in the States, and work in the arts, the least you can do is call your representatives and urge them to support the bill, HR 5793.