Categories
Issues and Actions

Own Your Privacy (Again)

It’s a good week when people solve problems. I certainly know it is a lot easier to point problems out rather than solve them; it’s also pretty darn easy to just pledge some money to helping others solve some problems. And that’s why I am feeling good that four specific NYU students exist.

You probably heard of Diaspora on the web this week (but if you haven’t, now’s the time to catch up). Diaspora will be a decentralized social network hub that you the user controls.

the privacy aware, personally controlled, do-it-all distributed open source social network

You own the data; you choose who gets it. Remember back when so many people did not understand that they were not even on the web when they went onto AOL. Why have we been satisfied with going to a centralized social network hub just like we were back in the day with being on AOL’s portal? Particularly when the stakes on so much higher; we’ve been being SPIED ON for far too long.

We believe that privacy and connectedness do not have to be mutually exclusive. With Diaspora, we are reclaiming our data, securing our social connections, and making it easy to share on your own terms. We think we can replace today’s centralized social web with a more secure and convenient decentralized network. Diaspora will be easy to use, and it will be centered on you instead of a faceless hub.

They have had an amazingly successful Kickstarter raise.  That alone is truly inspiring.

Categories
Issues and Actions

Section 181 Update

Today’s update is a guest post from Raz Cunningham.

On Dec. 31, 2009, Section 181 of the American Jobs Creation Act expired. It is going to be renewed in 1 of 2 possible forms. Either in the Tax Extenders Act of 2009 (the House Bill) or the American Worker State and Business Relief Act (the Senate Bill). The language is the same as it was for Section 181, the same tax breaks/benefits still apply. In the Tax Extenders Act of 2009, the language can be found in Section 117 of the Bill; in the American Worker State and Business Relief Act it can be found in Section 145. The language of these two sections is EXACTLY the same. The Senate Bill has already passed in the Senate and is on its way to the House.

What’s important to note is that one of these two Bills, either or, is overwhelmingly expected to pass. Neither Section of either Bill has been the source of any controversy or contesting and is strongly supported by both Parties. Once either Bill is passed, any qualifying film made from Jan 1st, 2010 to Dec. 31st 2010 will be able to take advantage of the tax breaks.

Raz Cunningham is a filmmaker based out of New York & Rhode Island, about to start Pre-Production on his first full length feature film “Our Last Days As Children” this summer.

Categories
Issues and Actions

Do Film Festivals Matter?

Dave ponders at The Hot Blog.
Eugene wonders at Indiewire.
I happily sit at home.

Categories
Truly Free Film

Why Microbudget Filmmaking Sucks

Read what Mynette Louie has to say about time in the trenches.

Categories
Truly Free Film

Starting Down The Path Towards Filmmaker Empowerment

Today’s guest post is from attorney Steven Beer.  We look forward to many more posts from Steven on this very subject: Filmmaker Empowerment.

Producing independent films requires a broad skill set, including a keen eye for material, masterful team management skills, a facility with numbers, and an understanding of the marketplace. There is only one thing more difficult than producing and making a great independent film: securing a modest return on one’s investment in an independent film.

Why do so many prospective investors (beyond friends and family) roll their eyes when they are asked to invest in independent films? One business manager swears that, generally speaking, independent filmmakers and producers are not capable business people. He believes that they are so focused on making the film that they tend to overlook many key business elements. In support of this assertion, he cited the cursory nature of most business plans, the modest returns typically offered for a risky investment, and the failure to fully establish reliable marketing and distribution plans.

Categories
These Are Those Things

so you want to be a writer?

by Charles Bukowski

if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.

if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.

if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.

don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.

when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.

there is no other way.

and there never was.
Thanks to Dan McGuire and Poets.org
http://www.poets.org/viewmedia.php/prmMID/16549
Categories
Truly Free Film

Why The 75 Problems Get My Attention

I wish it was as simple as aim high, be thoughtful,  be ambitious, take some risks, and make a good movie.

I have looked at these 75 problems (yesterday’s 38 + last year’s list) because I have spent the last 20 years making 60 films. Each of those films is a big choice for me and it is not a business choice (although survival enters the equation) or ever an easy choice; I make movies because I love the project, the work, and admire the director.

I think most people would classify the majority of my films as art films. 90% of them were also made with at least partial funding from private sources. I am really proud of them on an artistic level. I am also proud of how they’ve performed for their investors (generally). And every single director I worked with will say they made the movie they wanted, and that inspires me deeply.