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Truly Free Film

The Rise No-Budget NYC. Good Machine ’97

I don’t even know what this was for, This was for something on WNYC called “Egg” produced by Jeff Folmsbee.  but I do know that my friend Dan McGuire was also heavily involved in the shooting and editing of it.

I co-founded Good Machine back in 1990. We made a lot of good films and had some good times too. Iget a big kick out of seeing glimpses of folks from so long ago: Mary Jane Skalski, Heta Paarte, Glen Basner, and James Schamus and Ang Lee.  Nothing like seeing those gigantic computers and roladexes too. Too think we could make a film without an iPhone…

It also feels so fresh to me.  The same drive and ideas that made Good Machine a good idea back then, holds true to this day.  Everything is new again. We founded that company on the idea of a no-budget film fund (okay micro-budget in today’s vernacular) could make money and build a better mousetrap in the process. That, and the fact that I had a good long list of directors who needed some help. Both those things still hold true.

Although I must admit I no longer have a Che poster behind my desk, although the Obama “Hope” won works as the same sort of litmus test.

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Issues and Actions Truly Free Film

The New Skills Needed For Participatory Culture

Okay this is old news, but it is still DAMN F’N relevant!

In 2005, via the MacArthur Foundation, Henry Jenkins released this white paper, pointing out that:

Schools as institutions have been slow to react to the emergence of this new participatory culture; the greatest opporitunity for change is currently found in afterschool programs and informal learning communities. Schools and afterschool programs must devote more attention to fostering what we call the new media literacies: a set of cultural competencies and social skills that young people need in the new media landscape. Participatory culture shifts the focus of literacy from one of individual expression to community involvement.The new literacies almost all involve social skills developed through collaboration and networking.These skills build on the foundation of tradi- tional literacy, research skills, technical skills, and critical analysis skills taught in the classroom.

What Jenkins goes on to point out is needed among students, is also very much needed by anyone working in the film business, or desiring a full appreciation  of today’s film culture.

The new skills include:

Play — the capacity to experiment with one’s surroundings as a form of problem-solving Performance — the ability to adopt alternative identities for the purpose of improvisation and discovery

Simulation — the ability to interpret and construct dynamic models of real-world processes

Appropriation — the ability to meaningfully sample and remix media content

Multitasking — the ability to scan one’s environment and shift focus as needed to salient details.

Distributed Cognition — the ability to interact meaningfully with tools that expand mental capacities

Collective Intelligence — the ability to pool knowledge and compare notes with others toward a common goal

Judgment — the ability to evaluate the reliability and credibility of different information sources

Transmedia Navigation — the ability to follow the flow of stories and information across multiple modalities

Networking — the ability to search for, synthesize, and disseminate information

Negotiation — the ability to travel across diverse communities, discerning and respecting multiple perspectives, and grasping and following alternative norms.

I want to make sure my son has all these skills in his arsenal as he starts middle school.  That said, if I ran an undergrad film school, this training would be part of the core curriculum.  At the grad level, it would be an entry requirement.