Hey there NY Director Person,
Sorry for this group email but times are tough.
You are getting this email because you are one of 120 people whom I have identified as a film director residing at least part time in NYC. I know that there are a lot more of you than that, but hey, I am just one person standing in the forest without much beyond my laptop and a few minutes at my disposal as I drink my morning coffee.
You are also getting this because I am asking you to help facilitate some real change in the NY Indie Film World, and I know you can do it. Maybe not by yourself, but hey, you do have each other.
I know that you directors don’t really have a group that you are organized around. I know that this non-existent group doesn’t even have a name. But with receipt of this email I would like you to band together and make people go see adventurous & ambitious independent cinema again.
There is a great movie opening on Friday at Cinema Village. Antonio Campos’ AFTERSCHOOL debuted at the NYFF last year. When I saw it, I felt it was the strongest debut work to come out of NYC in a long, long time. It was counter to current trends, yet commented insightfully on our current culture. It took bold steps to find it’s own voice, but was aware and respectful of film history. It took risks on all aspects of its design and execution, but used each of the elements to build a united whole. It was aggressive in its approach but heartbreaking at its core. In short, it blew me away.
AFTERSCHOOL was one a small handful of films that inspired us to start our screening series at Goldcrest. I found it virtually criminal that great work was not being seen — particularly by those involved in film creation. We can complain about how tough it is — or we can actually do something about it. Right now as I understand it, IFC who is distributing the work, has no specific plans to take it beyond NYC theatrically. It will be however on VOD on Wednesday (is it a coincidence that is my birthday?) but it won’t see the glory of projection elsewhere if people don’t turn out here in NYC. It is a tough film, and not for everyone, but it is great work that should not be missed.
Please go see this movie in the theaters. Please publicize your appreciation for the work– that’s what Facebook and Twitter are for (in case you were still wondering). If anyone of you could write a few words of support for the film, I will eagerly publish it and promote it on one of my blogs/websites. Really, please do this. WE NEED TO SHOW COMMUNITY SUPPORT. Just send me your thoughts.
In fact, I suggest all of you director-folk utilize this new unnamed club of yours and put this kind of weight behind six films a year by truly free filmmakers. It would have considerable impact if this unnamed group of yours awarded six citations annually to new films. In these days of media over-saturation, we all desperately need filters. Who would the public trust most: unknown bloggers or artists whose work they already appreciate it? It’s up to you to preserve an active film culture in this country.
And there’s even more that you can do. See it once and then if five of you — ideally those have that have a huge fan base — could agree to lead a Q&A one night next week after a screening that could really make a difference too. I am going to do it on Monday night but I am sure it would mean more if you do it. We have to get people out to see this movie. We have to show that theatrical is still alive. Imagine if you did this with each of the six films you will now award annually. I know that time is in short supply, but we do need to vote for the culture we want — and the only way we have to do this is with our labor. This is my plea for you to exercise it.
But maybe you are not the writing type nor the public speaking type; maybe you are more the drinking type. I have an option for those of you too. I have arranged for Vanessa’s Mom’s bar, WINED UP (on Broadway between 20th & 21st) to offer a third drink free this Friday night after the first show (say 10PM) and Antonio is going to hang out and talk with anyone who shows. It would mean a lot to him if you were there. Please go as my proxy as I will be up in Woodstock for the film festival there.
If you like any of these ideas, or just want to talk about these issues with other directors, just let me know if I can share your email address with each other and I will try to put together an intro email for you to all speak. If you want Antonio to reach out to you, let me know and I will put him in touch. If there is anything I can ever do to help you, please also don’t hesitate to ask.
And just in case you are wondering,
I had absolutely nothing to do with this film. Antonio is one of the guys behind
Borderline Films. They are one of several new film collectives blossoming in our city. Antonio is now producing his producer Sean Durkin’s feature debut. Sean’s short is DORIS is online for viewing at their
website.
Jody Lee Lipes has shot all their work and has also directed an excellent doc:
BROCK ENRIGHT: THE GOOD TIMES WILL NEVER BE THE SAME. Josh Mond has produced all their work and will continue to do so. Sure, these twenty-somethings have banded together and have each other, but
they need you too. We all do. The whole world does. C’mon: Let’s save ambitious film culture.
I started writing this post to ask for help with a kickstarter campaign for our new film, “James White,” but what I began to explore became much more personal to me. I started to reflect on the past 10 years and how my partners and I got to this point. Josh, Antonio and I started Borderline Films in 2003 while students at NYU. Our goal was bold, but simple – we would all be directors and we would each make our first feature films exactly the way we wanted to. And so the journey began with us only knowing one thing for sure: that we couldn’t do it alone.