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Truly Free Film

How To Defeat 10,000,000 Adorable Kittens

by Emily Best & Liam Brady

EMILY: Recently I was a guest on an awesome show that brings together musicians, filmmakers, and entrepreneurs to talk, play, and pontificate. Here’s the first question we were asked: we all know how much technology has helped music and film, but what about the challenges it poses?

There’s no doubt in my mind that the greatest challenge technology poses to the arts is fragmentation. In a world where the audience’s attention is so divided, how do you make something stand out? 

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Truly Free Film

My War, Part 1: The Ugly Side

By Mike Keegan
Cinema is dead, no one goes to the movies, film is dead, who actually goes to the movies, they don’t make ‘em like they used to, there’s nothing new under the sun—my gosh, don’t you just WRETCH at the thought of these phrases, either in a hundred and forty characters or time-wasting think pieces or overheard on BART or anywhere else under the sun.  Here’s the secret—and I’m preaching to the choir here—American independent cinema is going through an amazing renaissance at the moment.  Really!  It’s just ACCESS to these movies that’s the problem, but I’m getting ahead of myself.

It’s easier than ever to make a movie.  You, dear reader, could conceivably

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Truly Free Film

Prepping for the Future with the Vision Machine iPad App

By Greg Pak

I came up through independent film. Then I snagged a meeting with Marvel and spent most of the last eight years writing comic books. Now I’ve just completed an iPad app version of one of my graphic novels that combines elements of both comics and film. Here are a few thoughts about what inspired me as a filmmaker and comic book writer to plunge into the transmedia world of the “Vision Machine” app project and what I’ve learned.

Why “Vision Machine”?

A few years ago, Orlando Bagwell of the Ford Foundation approached me with the idea of creating a comic book that would help independent media makers imagine the technological, political, and social changes that will affect us over the next fifty years. As an indie filmmaker, sci fi guy, technology freak, and comic book creator, I was immediately hooked. What resulted was a 80 page sci fi thriller that follows three filmmaker friends as they confront the incredible potential and danger of the iEye, Sprout Computers’ latest piece of revolutionary personal technology. The iEye allows users to instantly record anything they can see or imagine, then edit, add special effects, and share it with the world just by thinking about it. Our heroes plunge into a mind-blowing utopia of creativity… and then, of course, the other shoe drops.

With its emphasis on copyright, trademark, privacy, and surveillance, “Vision Machine” let me explore questions that I’m always thinking about as a filmmaker and a citizen of the digital world.

And then ITVS came along and let me take the project to a whole new level.

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Truly Free Film

Please Mr. Zuckerberg, Zap My Facebook Spam!

By Reid Rosefelt

Dear Mark Zuckerberg,

I love Facebook but there is one thing that really irks me fierce, and that’s when a guy with a name like Axylsmpgo Phpnygusx “Big Pimpin” Pxtzchqo and a profile picture of Vera Farmiga likes my page. Who makes mysterious comments like like “axkcfierj;kfdjrpeirka;dfuernxitrh.” I suppose that there are those who get satisfaction out of correspondence of this nature, but alas, I am not one of them.

Please help me get these counterfeit likers off my fan page. All you need to do is give me a button so I can zap away the profiles of people who aren’t real. For example, if I have 1083 and one of those phantoms tries to make it 1084 I click and then I’m back to good old 1083 again. That would give me more satisfaction than you can imagine.

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Truly Free Film

You Want To Start A Film Production Co.? Why Not Make It A Non-Profit?

By Chris Mason Johnson

I don’t have any statistics on this, but from what I can gather anecdotally, forming a non-profit to make a fictional feature film is a pretty rare thing, but it’s what I’ve done for my new (second) feature, Test, and it’s been a great experience. Mostly great. At first I did have to endure snarky questions from my non-filmmaking friends, along the lines of: “Aren’t you just admitting your film won’t make any money?” Well, no… (more on that later). From my filmmaking friends the response was more of a blank stare, followed by: “I don’t know anyone else who’s done that.”

There are a lot of filmmakers out there who make one feature and then stop. They didn’t break through to that magical “next level,” and there’s no way they’re doing the same thing all over again. But for those of us who are determined to keep making films on a small scale, truly independently — and who actually enjoy it — it makes sense to explore new models in a distribution landscape that’s in the midst of its own creative destruction and reconfiguring.

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Truly Free Film

Without An Audience, It Can’t be Art!

By Emily Best

I hold this apparently really unpopular view that without an audience, it can’t be art. “Art” is a social label, a negotiation between the artist, the object (or performance) and the viewer.

This is history’s fault. Art was reserved for the rich or those with access to the rich. We didn’t see how it was made, conceived, choreographed, or staged until it appeared in front of us. And mostly, everyone liked it that way. Artists got to create with very little interference. Audiences had very little interaction with the artists or processes that created what they saw in museums, theaters, and on stage, so they were happy to pay their hard earned money to witness that “magic.”

But now we live in the age of the digital download.

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The Next Good Idea Truly Free Film

Film Builds Neighborhoods — Or Is It The Other Way Around?

New York City’s First Neighborhood Filmmaking Challenge Premieres Inaugural Screening This Month

by Rachel Farnham

In the wake of Sandy, a lot of us have had to rely on neighbors and reach out to the strangers across the hall for the first time. We’ve experienced or read about such amazing stories of positive community collaboration in our city. On My Block Films understands the importance of community and focuses on building stronger micro-neighborhoods through collaborative filmmaking and storytelling.