I got one of my first breaks in the film business over twenty years ago. I walked into a production office and told them that I could raise over $100K of product placement for their indie film. No one was doing it in those days and there was no how-to guide. I told them they did not have to pay me unless I was successful. I went to the library did some research on companies, and started cold calling. It was pretty much a piece of cake.
Month: December 2008
Net Neutrality Update
There is a lot of buzz around about Google’s supposed abandonment of their pro-Net Neutrality position due to what is being called a misleading and poorly reported article in today’s WSJ.
NASA has a website dedicated to the Mars Program. And they have a whole bowl full of games. What are you doing? Get over to Mars.
Over the years I have heard filmmakers, executives, and lawyers profess the need for a public collection agency to work with international/territorial film licensors. The concept is that there would be a neutral party that the licensors pay their contracted fees to, and in return for both collecting these fees and dispersing them out to the contracted parties, the agency takes a small percentage. Although there is no US body doing this on American filmmakers behalf, these collection agencies do exist in other countries. It remains a good idea, but the need has morphed and expanded with all the activity in the DIY distribution arena.
Timesculpture
Not having cable or being a television watcher, I miss out on some culture, some artistry, some trends. I am glad there are ways to make up for that now. Maybe it’s an odd thing to select to watch advertisements. But when someone reorders the world into new art, I want to see it. I also want it explained. I was glad to find this out there too:
And thanks to The NYTimes YEAR IN IDEAS for tipping me to this too.
When the NYTimes publishes its Year In Ideas issue, its time for rejoicing. Outside of an election year like this one, nothing helps me get excited for the future like this little round up (well, on a non-personal level that is).
Who Is Doing It Well?
What are some good examples of filmmakers, beyond our TFF Heroes, who are reaching out to audiences early, engaging them with good content, maintaining a rich dialogue with them, and then working with them to get their work seen? Who are those artists who are providing more than the one way relationship of “here is my film to watch”? Who has reach beyond the limits of a single film / single platform paradigm and climbed on the cross-platform cohesion engine?