Categories
Bowl Of Noses

Classic Hoaxes #2: The Feegee Mermaid

It’s a pretty gruesome creation, right?  P.T. Barnum earned a small fortune and created a sensation with this beast.
The Museum Of Hoaxes tells the full story, but it begins like this:

Mid-July, 1842. An English gentleman named “Dr. J. Griffin”, a member of the British Lyceum of Natural History, arrived in New York City bearing a remarkable curiosity — a real mermaid supposedly caught near the Feejee Islands in the South Pacific. The press were expecting him, since throughout the Summer they had been receiving letters from Southern correspondents describing the doctor and his mermaid. So when he checked in to his hotel, reporters were waiting for him, demanding to see the mermaid. Grudgingly he obliged. What they saw totally convinced them of the creature’s authenticity.

You will have to go to the link to get the rest, but suffice it to say that the term Feegee Mermaid now covers all such hoaxes.
Categories
Truly Free Film

Film Festival Plan A: Still Need To Hire A Publicist

When I first started going to Sundance, it was just a bunch of filmmakers and a bunch of filmlovers.  Filmmakers had no entourage.  No one told them what to do or what they thought was right; instead they shared information and secrets.  But that was then.

For the last ten years, it has seemed that filmmakers arrived at major festivals with a horde in tow: lawyers, agents, managers, producer’s reps, foreign sales agents, and publicists.  The list actually goes on from there.  But that was then.
These days, recognizing that a sale is very unlikely, how much do you really need?  There’s definitely another few posts worth of material in that question, but I can tell you that the one I think is critical is the publicist.  After all, it is all about getting the word out about your film.
The traditional media still holds the most weight (okay, that’s debatable), and any a publicist worth their salt will know how to reach them.  More importantly, the publicist will know what these critics and journalists look like, and will be able to find out what they thought of the film immediately.  Their opinion matters as it influences everyone: buyers, festival programmers, independent bookers, and other journalists.
The publicists also know the distributors and as long as you want to keep Plan D (sell your film) alive, that is invaluable as the publicists can help facilitate meetings with the buyers.
A publicist will help you draft your press notes in advance of the festival and arrange key interviews.  Sometimes they can even help find a corporate sponsor for a party (more on that later).  The publicist will collect all of the press you receive, and survey the journalists on their response.  They will collect all this material so you can share it with everyone you reach out to later.
How do you find your publicist?  Well these days they often find you if you get into Sundance or a major festival.  The key filmmaking community organizations like IFP and Film Independent can also help direct you.  Maybe I can put together a list and post it here (I will get back to you on that).
Categories
Bowl Of Noses

Pixar’s Presto

Categories
Truly Free Film

Post-Fest Era: Further Festival Initiatives

In a post on Variety’s Festival Blog, The Circuit, Steve Ramos writes about the unique launch and partnership Miramax is doing with the Heartland Film Festival and their film “The Boy In The Striped Pajamas”.

Battsek approved the call to partner with the 16-year-old festival on a single-night, 31-city screening program to promote “Boy in the Striped Pajamas” to Heartland partner organizations like the Boy Scouts of America in an attempt to build national awareness for the film.

This type of re-imagining of the film festival is critical these days.  Hopefully other festivals will follow suit and find new ways to increase a film’s exposure when they commit to play at a festival.  A 31 city simultaneous single day screening is possible even for the Truly Free Filmmaker in these days of digital projection.  How many festivals can extend beyond their home base?  Festivals have to think beyond their immediate community and increase their reach if they are going to offer filmmakers something truly meaningful.

I would be curious to hear what other festivals are doing to further their impact and partner with filmmakers.
Categories
Let's Make Better Films

Dealing With Challenging Material

You can click here to see Alan Ball, Steven Raphael, and I discuss Towelhead this past summer at the Provincetown Film Festival.  Excuse me for eating my breakfast on camera that morning.  It’s an hour long, well 57 minutes, but never a dull moment (other than watching me eat!)

Categories
Truly Free Film

Film Festival Plan A: Beyond Bonding

For years, I have recommended filmmakers do all they could to bond with the other filmmakers they met at festivals, for as the films travelled festival to festival, these other filmmakers would become their support group, their friends, perhaps even more. 

As we enter the Post-Festival Era, this support group needs to be transformed into a far more important alliance. It remains a top priority to find like-minded filmmakers, but now these fellow conspirators should be sought out as fellow distributors. With five united filmmakers you have a booking block, a touring film festival of your own making. 
If there was a way to locate all the other festival programmers, community center programmers, or independent theater bookers that attend the festival, this alliance would be in business.  Hopefully this type of independent booker will recognize that this is a new era and they can go to the filmmakers directly for an engagement.  Somehow I don’t think that’s going to happen this year, and these people remain hard to find.  Filmmakers need to share this information where ever they can find it.
I recognize that some may be hesitant to pursue this approach immediately after the festival.  The dreams of acquisition will still be strong.  Yet this sort of booking engagement is not a theatrical release in the traditional sense.  It is closer to a publicity tour — a publicity tour on someone else’s dime.  Field publicity is direct communication with the audience and that is the most successful way to build word-of-mouth on your film.
Categories
Truly Free Film

A Few Words Of Inspiration…

from Lance Hammer, courtesy of Ray Pride.  Check them out here.