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Truly Free Film

NYC DIY Dinner Conversation Continues: Part 1

How will the “indie” model change?  Why is it inevitable? Hear the scoop here.  You can see it there too.  Will the truth be told before too much wine is consumed?  You be the judge.

Will Christine’s prediction be true?  I think I let the others get a word in edgewise.  Granted some of my rant is recycled from some other events, but the others are pretty fresh I think.

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Truly Free Film

NYC DIY Days Dinner

A whole bunch of us got together for food, drink, and lots of blab about the way this world of film is changing — and now you can join us!  

The good folks at The Workbook Project made this happen with a little help from their friends of course.  Come join Lance Weiler, Arin Crumley, Susan Buice, Lance Hammer, Faye Dunaway, Paul Rachman, Stephen Rapael, Slava Rubin, Joseph Marin, Jennifer Kushell, and of course myself.  This is just the intro segment.  Two more to come.  

I was mentioning this dinner to my friend Christine Vachon, telling her how I thought it was a good idea it was, a lot of fun, quite informative, and how well it was shot.  Christine’s response was “Did anyone get a word in edge-wise?”.  In this episode I don’t start to rant until the 27:27 mark, so you be the judge.   

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Truly Free Film

Non-theatrical RULES! Send Us Your Venues

Another post from Jon Reiss:

I had the opportunity to see Lance Hammer’s Ballast on Sunday night at the Laemmle Sunset 5. It is a wonderful film and as you probably know – Lance eschewed the standard distribution deals he was offered and decided to self distribute. I had a chance to talk with him after the screening to compare war stories and we both agreed that there needs to be a paradigm shift on the definition of ”theatrical”.

“Theatrical” is the industry term for the first “window” of a release normally in movie theaters where they are screened for at least a week starting on a Friday night. This is a very limiting notion of what a theatrical experience should be and has the potential to constrain our own imagination of what constitutes a theatrical experience. 

I feel that any screening in front of a live audience in which the film is projected in the dark with good sound – approximating the way in which the filmmaker originally intended (so long as they intended to screen it for such a live audience) should be considered a theatrical screening. This should include not only Hollywood’s definition of a typical theatrical run – but should also include festivals, museums, clubs, colleges, film societies or anyone else who will set up a screening of your film in front of a live audience in a manner acceptable to you. This should include Brave New Films network of Living Room Theaters (which are often much bigger than a living room – many of the screenings are in community centers).

Lance and I both agreed that some of our best screenings were in non-theatrical venues. Usually the film is screened for one or two nights and is promoted as a special event – which helps to pack the house.

We also agreed that we as filmmakers need to create a database of such venues similar to the Workbook Projects Theatrical Mapping Project. Eventually we should combine theatrical and non theatrical lists – but currently they need to be approached in slightly different ways – so I feel it is best to keep the lists separate for a little while.

Lance and I have agreed to cull our own information but we could use your help.

If you know of any non traditional venue that has screened films on a regular basis – such as museum, film society, college student or screening association, please send them to me at:

jon@jonreiss.com 
and I will add them to the list (And of course post them here at TFF via a simple comment!)

We will post the list here at TFF for a start within the next couple of months.

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Truly Free Film

The Conversation: Live in Berkley 10/18

Scott Kirsner, Lance Weiler, Tiffany Shlain and others put together a great program at Pacific Film Archives this past weekend, bringing together folks from the tech, social entrepreneur, and film worlds.  There was a lot of great stuff on the new world of DIY/Hybrid Distribution.  I imagine Lance will post a lot of it over at The Workbook Project.  

This is a nice low angle (i.e. I am not quite so wide in real life — or rather I still like to think my self not so wide) shot of my “Coffee Chat” with Scott and Dean Valentine of Comedy.com.  It captures and highlights my nasal honk quite well though.   It’s the end of the session Q&A and I rant on the transformation from an impulse to a choice economy of entertainment, throwing in some speculation on the coming Post-Fest Era to boot.

On changing Festival world, Variety has an article on how the financial crisis has effected film festivals. Worth checking out.