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Truly Free Film

Diary of a Film Startup: Post # 20: Video-on-Demand Sales Tips

By Roger Jackson

Previously: Searching for Green Card

It’s now exactly 6 months since we started building KinoNation. We’re very close — a month or so — from opening the platform to the world. We now have deals with all the major US video-on-demand outlets, plus several non-US outlets. And doing more deals every week. There are never less than 2 films being uploaded to us at any time, and we have well over 100 movies in the Private Beta. We’ll have a representative at Berlinale and the European Film Market next week, and I’ll be in London in the spring to cement a series of deals with VoD outlets and content owners there. We have big — but also realistic — plans for 2013.

So I now feel moderately qualified to give advice on how to make a film stand out from the crowd — and it’s VERY crowded — in the world of video-on-demand. It’s all too common for filmmakers to pour time and money and passion into making a film, and then fall short on some basic sales elements. Video-on-demand platforms are remarkably similar to video stores. Both are segmented by film genres, and both have lots of titles arranged in some sort of grid — whether online or on-demand TV or on store shelves — that encourage consumers to scan dozens or even hundreds of titles quite rapidly. And then move on. So you have to grab audience attention within a couple of seconds. That’s not much time.

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Truly Free Film

Diary of a Film Startup Post 19: Searching for Green Card

By Roger Jackson

Previously: New Year Update

Less of a diary post this time, more of a rumination on Hollywood, video-on-demand, and long-tail movies. Klaus and I decided to build KinoNation because we want to make it super-easy for indie filmmakers to distribute their films to the medium that is rapidly replacing DVD. Along the way we’ve come to realise there are also many well known films that remain almost impossible to watch “on demand” — fuelling consumer frustration that can often only be solved by breaking the law.

Last week was a big day for Klaus‘s wife — Malona had her final interview with the Feds for her Green Card. It all worked out, green card approved, and she wanted to celebrate that evening with a family viewing of the classic movie Green Card.

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Truly Free Film

Can VOD & Theatrical Exhibition Both Benefit Each Other?

Is there a model where both can further film culture, audience development, and overall cinema appreciation?  With very few critics left with a mass market soap box, where do we turn for curation?  With a global onslaught of 50,000 feature films generated per year, how do we connect with the films that are best for us?  When audiences enjoy cinema in any form, they are far more apt to engage with more film soon after?  Is there a model that leads to a a win/win for everyone?

MUBI recently announced a partnership with Picturehouse Theaters where members get 90 days free access on MUBI.  One wonders if there are similar deals to be done with online aggregators and exhibitors in the US…

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Truly Free Film

Diary of a Film Startup Post 18: New Year Update

By Roger Jackson

Previously: How KinoNation Works

What a difference a year makes. This time in 2012 I was working for an humanitarian assistance NGO, just back from a village solar power project in Tajikistan, and about to fly to West Africa to set up a veterinary aid project in Mauritania. That contract ended in July, and by August I was fully committed to online film distribution and KinoNation. Quite a contrast.

We’ve been on a “coding sprint” throughout the holidays to hit our planned “soft-launch” later this month. Klaus and our software team have been doing what developers in start-ups do — writing code into the early hours. I usually work past midnight, but there’s always a twinge of guilt when I get up and see the emails that have flown back and forth at 4 in the morning.

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Truly Free Film

Diary of a Film Startup Part 16: Top Ten Lessons, So Far

By Roger Jackson

Previously: Film Marketing Tools

Train to Stockholm
We get amazing indie films submitted to KinoNation almost every day to our Private Beta launch. Here’s one that’s beautifully shot, with a theme of cross-border connectivity that will, I think, appeal to many video-on-demand platforms. Keep submitting movies!

10 Lessons
As we close in on year’s end — and 4 months work on KinoNation — I thought I’d share some lessons we’ve learned that really apply, I think, both to startup ventures AND to indie filmmaking. They seem obvious to me with hindsight, but they weren’t obvious when we started just a few months ago.

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Truly Free Film

What Can Europe Learn From The US VOD Market To Date?

I moderated Europa International Distribution 2.0 in Paris over Thanksgiving. Here Ryan Werner talks about how VOD has evolved in the States, particularly for World Cinema.

It’s nicely shot as these things go, even if my bald spot takes starring honors.

Here’s another clip on whether films need Facebook pages.

And another on Day & Date.

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Truly Free Film

Diary of a Film Startup Part 15: Film Marketing Tools

By Roger Jackson
Previously: Early Results

50 Ways to Sell Your Movie
KinoNation now has a library of almost 100 feature films and documentaries in our Private Beta. As I spend time showing some of these films to various US and international video-on-demand outlets, I am more and more convinced of the need for a step-by-step template that helps filmmakers with the the business of selling & marketing their films. So last week I spent some time creating a “back of an envelope” plan for a section of KinoNation where filmmakers can be guided through a series of fifty steps to give their film a better chance at finding an audience. The idea is to have one page on KinoNation.com for each of these fifty steps, along with an overall Progress Bar — so a filmmaker can review what percentage of this marketing checklist has been completed. This is deliberately rough — I just want to get the discussion started.