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Truly Free Film

Printing: Posters & Postcards

As mentioned a few days back, our Film Festival Strategy brainstorm continues…

Jon Reiss offers this up:

A very necessary expense in your publicity campaign are postcards and posters. These can be expensive but fortunately there are a number of on-line printers that are relatively inexpensive (eg 4000-5000 postcards for $100). One hidden cost when it comes to printing is shipping so I do recommend using a printer near you – so before you buy – make sure you include shipping in your cost estimate. I actually send an assistant or intern to pick up my printing from “Next Day Flyers” since the shipping almost costs as much as the printing. Sometimes your local printer will even match an on-line printers prices – or come close enough to make it worth your while. But they won’t cut their prices unless you have a comparison price.

Regarding Postcards – they are cheap enough online that you could print them for each festival or theatrical screening even if you only print 500 at a time. The old way of doing this was to order a ton and then use stickers for your specific screening time. Unless you have some slave labor around – buying new postcards for $50 is going to be cheaper than paying someone to print and apply stickers to each post card – you have better things to do with your time.

Three important notes about posters:

1. Most on-line printers will not print one sheet size posters.

2. Printing standard film size posters – 27″x41″ – is very expensive (for film festivals you only need one or two which will cost about $50 each – but for a theatrical release you will need more than that). The reason that these posters are so expensive to print is that they are too large for standard offset printing (the cheapest kind of bulk printing). However nearly all theaters (all the ones that I dealt with) will accept posters that are 24.5″x37.5″ which is the largest size that you can have printed offset. This will save you thousands. (Although the best price I found was $1200 for 2000 posters – a pretty good price).

3. You can get a lot of mileage from 11×17 posters. Most storefronts won’t put up a standard or near standard one sheet when you are promoting in a town. But they will put up a 11×17 poster. And these are much cheaper. You can get a 1000 for around $300. They are also good for wildposting/wheatpasting as they fit on most electrical boxes. (18x24s are also a good size for this) But be careful with wildposting – you can be fined thousands of dollars for illegal posting if there is anything on the poster that will track back to you or the theater!)

Printers:

Next Day Flyers based in Compton California

Got Print based in Burbank California

jon@jonreiss.com

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Truly Free Film

Film Festival Strategy Round-Up

Back when I started this blog in October (oh so long ago, eh?), my short term goal was to help filmmakers not be misguided as to what a festival, even Sundance, could do for their film.  We posted a bunch about film festival strategy and it is all collected here.

There is still a lot to say on the subject and we are open suggestion as to the topics.
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Truly Free Film

Hope For The Future pt. 5: The List #’s 18 -21

18.A feature film is no longer defined as a singular linear narrative told in under two hours. Filmmakers are recognizing the need to extend the filmic world beyond the traditional confines. Whether this is in Judd Apatow’s YouTube shorts for KNOCKED UP or in Wes Anderson’s prologue short for THE DARJEELING EXPRESS, the beginning of new models have emerged helping filmmakers continue the conversation forward with their audiences.

19.New models for production are being utilized. The most widely noted in this regard is “crowdsourced” work. Massify has recently brought together the horror film Perkins 14. This year brought us Matt Hanson’s and A Swarm Of Angels open sourced / free culture start-up THE UNFOLD; the trailer is mysterious (see below) and I am looking forward to the feature. These massive collaborative works are the ultimate union between audience and creator.

20. Grassroots has come to distribution. The Living Room Theater model advanced by Robert Greenwald’s Brave New Theaters empowers audience members and filmmakers alike bringing them together and invested in each others success. Filmmakers give the audience more power and control, and audiences recognize that they have to fight to preserve the culture they want. The Micro Cinema Movement‘s been at it longer and is still going strong.

21. The independent art house theaters are organizing. Sundance is hosting the first Art House Convergence this year prior to the festival, helping to build the knowledge base of these theaters and enhance their collaboration. This platform will be key to preserving the theaterical experience for films outside the domain of the major media corporations.

Worlds Will Shatter – The Unfold (A Swarm Of Angels) trailer

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Truly Free Film

A Community Of Theaters: Film Circuit

How come it is the film festivals that pull together the theater operators?  I am very excited about the upcoming Sundance-organized Art House Convergence in SLC prior to Sundance and the potential it offers to weave together a group of sympathetic exhibitors.  We have so much great work in this country that currently goes under-screened.  There is fabulous international work too that we never get see or even learn about.  Don’t even get me started about shorts.  

We lack meaningful ways to foster discussion about all this work without having it exhibited in a group context.  They have started to change this across our northern border with FILM CIRCUIT, and hopefully we can learn from their example.

A division of the Toronto International Film Festival Group (TIFFG), Film Circuit provides filmgoers in under-served communities, transformative experiences through access to Canadian and international independent films they would otherwise not have the opportunity to see. With over 190 groups in 169 communities across Canada, Film Circuit is essential in helping TIFFG lead the world in building markets and audiences for Canadian Cinema. 

Film Circuit promotes Canadian and international cinema through grassroots distribution, marketing, and exhibition. While providing filmgoers an opportunity to see films that may not otherwise be available, Film Circuit also provides distributors with an opportunity to extend the theatrical run of their films.

Recognizing that it is important that each individual community curates its own screening events to maximize community commitment and capitalize on knowledge of local demand, Film Circuit encourages collaborative programming between Film Circuit staff and individual Film Circuit Groups. Release schedules are issued throughout the year, and each group selects films according to local demand with the goal of enhancing awareness of and increasing exposure for independent cinema. The Film Circuit office then books films based on availability as determined by the distributor. Film Circuit staff arrange print traffic, provide development support, research and prepares film titles and availability lists, offer programming consulting, book guests and ensure cross-Circuit communication.
Films screened on Film Circuit are event based and generally classified as ‘limited releases’; they require local marketing support to reach audiences. Some methods groups use to generate local interest in the programme include:

Flyers
Word of mouth
Membership and subscriptions
Local press (ie. Newspaper articles, radio/television interviews)
Sponsored advertising
E-newsletters

Check out the Film Circuit website.  They also feature American Independents.  Get in touch with them about your work.
Thanks to Lance Hammer for this tip!
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Truly Free Film

Who Is Really Prepared For Sundance?

If only I had more hands.  And more time.  And less things that really got me excited — like movies I want to make.

Anyway, I have been wondering what films and what filmmakers had gone ahead and made a trailer, built a website, had been blogging, placing clips on line.  You know: all the sort of stuff that needs to be done so you can truly launch at Sundance.  
It currently looks like the list of Those Who Are Prepared is not surprisingly dominated by those that have the most funding (and thus the most hands).  But it really doesn’t have to be so (I know that’s a lot easy to say, than do, but still…).  
Cinematical has run with a good opening list of the trailers for Sundance films.  I hope someone does a list of websites soon too.
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Truly Free Film

Preparing For Sundance

Eugene Hernandez had a good post regarding festival prep on indieWIRE yesterday.  Click on it here if you missed it.

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Truly Free Film

Art House Theaters Unite!

In order for a Truly Free Film Culture to take hold, independent theaters have to organize and work together.  Well, guess what?  Good news!  It’s already happening.  

Imagine if a whole bunch of great theaters got together and decided they would accept bookings from independent and TFFilmakers.  Sounds logical, right?  But ask a DIY filmmaker turned distributor if they were able to get bookings beyond NYC’s Film Forum, The Laemmle Sunset, and The Walker & Wexner centers, and I will know that the filmmaker hustled and hustled some more for each and every one of those bookings — virtually to the point of collapse.  The sad truth is that currently to get bookings for legitimate theaters, most filmmakers have to hire an established booker to ink the deal — and man, that ain’t cheap.
But now it looks like that stranglehold may finally be broken.  And guess who’s shattering these chains?  Sundance!  Freedom is looming.  Three cheers for Sundance!  Truly:  hip, hip and hooray!  A convergence of art house theatres from across the nation is to be held January 13-15, 2009 in Salt Lake City, Utah.  And from the sounds of it, Indie/TFF/Arthouse exhibition is going to take a great leap forward.
The Sundance Institute Art House Project is a partnership with art house cinemas nationwide to build audiences and develop a supportive community of theatre owners committed to independent film. Wow. Not that we can relax just yet, but this project is a great thing for both filmmakers and filmlovers alike.
The Art House Convergence is presented in cooperation with the Sundance Institute. At the Convergence, Art House theatres from all over the U.S. will gather just before the Sundance Film Festival (January 15-25) providing a rare opportunity for art house theatres to network and discuss successful marketing, programming and business models as well as current issues facing independent theatres.

John Cooper, Director of Programming, Sundance Film Festival, explains “Our organizing principle is to increase the market for film exhibition by expanding the number and effectiveness of community-based, mission-driven theatres in local communities, large and small, nationwide.”

So who are these theaters?  Mark them down, and then add to the list!

BAM, New York, NY, www.bam.org
Belcourt Theatre, Nashville, TN, www.belcourt.org
Broadway Centre Cinemas, Salt Lake City, UT, www.saltlakefilmsociety.org
Coolidge Corner Theatre, Brookline, MA, www.coolidge.org
Enzian Theater, Orlando, FL, www.enzian.org
Hollywood Theatre, Portland, OR, www.hollywoodtheatre.org
International Film Series, Boulder, CO, www.internationalfilmseries.com
Jacob Burns Film Center, Pleasantville, NY, www.burnsfilmscenter.org
The Loft, Tucson, AZ, www.loftcinema.com
Michigan Theater, Ann Arbor, MI, www.michtheater.org
The Music Box, Chicago, IL, www.musicboxtheatre.com
Oklahoma City Museum of Art, Oklahoma City, OK, www.okcmoa.org
The Palm, San Luis Obispo, CA, www.thepalmtheatre.com
Pickford Cinema, Bellingham, WA, www.pickfordcinema.org
Rafael Film Center, San Rafael, CA, www.cafilm.org
Ragtag Cinema, Columbia, MO, www.ragtagfilm.com
Railroad Square Cinema, Waterville, ME, www.railroadsquarecinema.com
The Screen, Santa Fe, NM, www.thescreen.csf.edu

The conference will include a keynote address by John Cooper, Director of Programming for the Sundance Film Festival, as well as panel sessions on:
– How to use the not-for-profit business model to grow audiences for Art House films
– An exploration of new film distribution paradigms (participating in these panels will be Bob Berney, formerly of Picturehouse and Peter Broderick, Paradigm Consulting, Ted Hope, This Is That Productions — that’s me!)
– Innovative marketing and showmanship techniques
– Tutorials on emerging film exhibition and Art House theatre operations technology