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Truly Free Film

The Indian Independent Film Industry: Where Do We Go Now?

Guest post by Ritesh Batra

Where do we go now?
A somewhat reasoned rant on the Indian Independent Film Movement and the business of Indian Indie film.

There is something in the air in Bombay, everyone’s talking about it. Sometimes it feels very real, and at other times it feels more like Yeti- the mystical creature somewhere in the foothills of the Himalayas, many of have seen his footprints in the snow, no one seems to have met the guy or lived to tell the tale. It was pre-maturely named the Hindi new wave by festival directors in the West. It was expected to arrive sometime in 2009, just after Slumdog Millionaire, the Slumdog effect, but it did not quite materialize then. The following years, 2010 and 2011 were good years for Indian Indies with some travelling to major film festivals and even pulling in good numbers in the local box office. Yes, something’s definitely in the air, the water has pulled back and exposed all the artifacts on the sea floor- shells, fish carcasses, water bottles, rocks, even Ganesh idols that refused to melt, etc., people have walked in and are eyeing all these things with curiosity and this big Hindi New Wave is expected to come and sweep them off of their feet anytime now. But guess what, its not coming anytime soon, because unlike tsunamis, film movements take time to mature and bear fruit, a set of visionaries and the convergence of fortuitous events turn it into an industry, an ecosystem that can only develop organically.

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Truly Free Film

Recommended Reading: Mynette Louie’s “Innovate Or Die”

It took me a week but I finally caught up with Mynette Louie’s IFP Blog Post “Innovate Or Die“.  She does an excellent job at capturing the Indie Producer’s life at this point in our cultural era.  More importantly, she makes a fantastic and necessary plea to us all:

“let’s put our  heads together and figure out how to sustain not only ourselves, but ultimately, the art that we love so dearly, and the diversity of artistic voices that make it. There is a better way, and we’ve got to find it soon.”

Read the whole post here.

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Truly Free Film

Failure For The Win: The Video

We learn more from failure than we do success. As a community however we only publicize our successes, and we hide our failures. We should take a page from the world of science, and realize successful experiments can only come about by the collective sharing of failure. The Vimeo Festival gave Ed Burns and I an opportunity to get that ball rolling last weekend. If you missed it, tune in, here.

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Truly Free Film

Indie Filmmaking: You Have To Have Faith

by Christopher J. Boghosian

A few months ago, I plopped down on my couch, let out a deep breath and involuntarily uttered, “It takes so much faith.”

The best definition of faith I could find comes from the New Testament: “Faith is the assurance of things hoped for, the conviction of things not seen.” Although this verse is referring to spiritual faith, it perfectly captures the faith we need to pursue an independent filmmaking career. Because unlike a Starbucks employee who is guaranteed myriad customers and a steady paycheck, us indies must stand on our own two feet; even marketing and distribution has increasingly become our responsibility. We are entrepreneur-artists, a calling that demands “assurance of things hoped for, the conviction of things not seen.”

What strikes me most about the New Testament verse is its implication that a need for faith is relative. First, grander things require more faith. In the same way it takes more faith to sink a 3-pointer versus a layup, it takes more faith to produce a historic epic versus a one-location horror film. Second, faith is relative to one’s power over things; the more leverage you have, the more you can secure. Third, the harder you work and the longer you persevere, the better your odds of success. So it seems a need for faith can be decreased by elements within our control.

But alas, as we all know, there are things beyond our control in independent film; things many believe are much more important to having a thriving career. I’m talking about profitability, public opinion, and professional advancement. I’m also talking about the thing that scares me most: talent. These truly are “things hoped for…things not seen,” which will always demand faith! Sure, we can control them to a certain degree; however, they will forever elude us. (How many times have we seen a celebrated filmmaker produce a critical and box office dud, causing the public to question his/her viability and talent?)

I’m convinced the true worth of faith lies within the filmmaker as a source of strength, energy and hope. It feeds the filmmaker’s soul, compelling him/her to continue onward, despite the odds. Without faith, fear will quickly overcome and defeat even the most ambitious of dreams. In fact, I’m beginning to think that fear is diametrically opposed to faith; complete assurance and conviction is fundamentally devoid of fear.

I’ve been pursuing a career in independent film for a few years now and, quite honestly, I’m tired, physically and emotionally. After numerous short films and a feature, I’m confident that I can control quite a bit; however, the elusive things like public opinion and talent are wearing me down. Just the other day I received another film festival rejection letter, one more punch in the gut, adding to my exhaustion. So it’s no surprise when I plop down on the couch and utter, “It takes so much faith.”

Where does faith come from? How can we have more of it? We can start with the things within our control, e.g., embrace your limitations, broaden your network, work hard and don’t give up. And for the things ultimately outside our control, well, let’s choose to believe rather than doubt. It’s as simple as a choice: fear or faith. Might as well pick the more constructive of the two, right?

Living on student loans as a first-year law student, Christopher realized it was now or never, so he packed his bags and returned to his hometown, Los Angeles, to make movies. Since then, he has fathered multiple short films, a feature and a super-cute baby boy! You can see what else he’s up to at FollowMyFilm.com

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Truly Free Film

A Partial Letter, Catching An Old Friend Up To Where I Now Am

…. Still trying to make independent movies, but with each new day it seems more and more like an antiquated process. I am sure future anthropologists will not know what to make of the digital remains of the indie film scene. Will it feel more like a religion than a business? The “passion industries” is a nice phrase for cultural creation that is only within the reach of the young or rich; camouflage comes in many colors.

I have had a good run, producing more films than virtually anyone else. And I believe better films (okay, maybe I am biased, but..), and ones with more consistent returns, but damn! It is harder now to justify investment or commitment than ever before — even when the tools have improved and the talent pool grown like never before.  Film, like all the culture economies, has been turned on it’s head, but unlike the others, since the work at the top still delivers a return, our leaders and corporations act like business is as it’s always been.

On the other hand, I am still creating things. I do get to do a fair amount of excavating too, trying to make the process more transparent and open. I get to feel good about that, but it is very frustrating watching what I love crumble away. I see many people with their fingers in the leaks, but few that want to build a new city higher up on the hill, let alone those that want to make that new one run on sustainable systems with open access to all.

I am lucky. I got to do what I loved when I was young. I made that commitment and by the time I grew up (maybe two decades after I was an adult), I was not only using my labor in service of what I loved, cared about, and prioritized, but understood how fortunate I was and fragile it all was, and gifted with that I could demonstrate my passion and commitment to another person by the time I encountered that someone I wanted to devote myself to. Still though we don’t get the time to celebrate all of this; even the thirty minutes we find at the end of the day seems like an incredible feat to achieve. There’s so much to fix. I have never been one to need perfect; I can love the cracks and the leaks — I find them the personality of a place, but I need life’s handyman to come in and sand down some rough edges.

I feel under siege by “weapons of mass distraction”, working like I have several start-ups — and admittedly I do — but at this age I am working harder than ever, and certainly for less return. The pull towards more time to reflect grows constantly. I want not just my work, but also myself and my life, to be a reflection of all that I love and care about.

I am well. I have ten or so movies I am trying to make. It is a bit heart-breaking that some may never happen. There was a time when I had confidence that all my projects would get made. I was wrong, but I think the confidence was well-earned. I have earned more confidence since then but the world has changed faster than the industry, and it doesn’t pay the same dividends that it used to.

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Truly Free Film

Ted Hope and Peter Stein on What Makes A Great Indie Film

Ted Hope and acclaimed documentary director and producer Peter L Stein discuss what makes a project great in terms of artistic innovation and financial viability at the Disposable Film Festival, 2012.

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Truly Free Film

Should We Accept That Indie Film Is Now A Hobby Culture?

I don’t intend to get down on hobbies here; I love building model rockets with my son, but I don’t harbor any fantasies about earning a living from doing it (well, I do have a plan for a BowlOfNoses Summer Camp, but…).  Thing is, there once was a time when all my friends earned a living making and sharing independent features.  It didn’t feel like a hobby then, but now it does. I wonder if anyone still earns a consistent living making indie films?

Okay, the sales markets of Sundance & Toronto have increased my hopes that the economic situation for filmmakers will improve and, yes, “earning a living” is a relative phrase.  True, many still are paying most of their bills from working in the film biz, but I suspect that either it is at a level 50% lower than it was three years ago, or else the company that pays them is earning substantially less than they were years back and just hasn’t passed the losses on to their employees beyond staff reductions.  Yes, there are still some folks who hit a vein and get a windfall, but don’t mistake that good fortune as a career.  I have seen highs and lows, but I don’t see consistency any more.

It’s not all doom mind you.