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Truly Free Film

Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation

Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation
By Roger Jackson
Previously: Diary of a Film Start-Up Part 1: Every Movie Ever Made…
KinoNation
We were determined the site would be a dot com domain — not dot biz or dot US or dot-whatever. But available dot coms are rare and we weren’t going to pay thousands of dollars to some shady cyber-squatter. Klaus found KinoNation.com — it was available, it makes sense, we like it and seems easy to remember. “Kino” is German for cinema. And “Nation” can be defined as a community of persons bound by a shared interest or passion. That seems to work. We’re also excited about the potential for this venture in China, making thousands of Chinese indie films available to the rest of the world. So the name had to sound OK to the Chinese ear (we’re assured it does) and it more or less translates into Mandarin as “Film Kingdom.” But. There’s always a “but.” In this case there’s a site in Russia, kinonation.ru where you can watch Hollywood movies — in Russian — for free. Hard to say whether they’re legit or pirated. Either way, we have the dot-com, they have the dot-ru — there’s no reason we can’t co-exist, right?
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Truly Free Film

Can Indie Film Achieve a Network Effect?

By Chris Dorr

In a recent post entitled Networks And The Enterprise, Fred Wilson explains how his firm Union Square Ventures invests in networks. He included this line.

My uber goal of writing this post is to explain that the wired and mobile internet is a global network and it powers all sorts of smaller networks to get built on top of it.

These networks connect people with each other.  Each network gains value as more users join and as each user contributes value to the network which in turn becomes available to every other user. As he points out

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Truly Free Film

Diary of a Film Start-Up Part 1: Every movie ever made…

Diary of a Film Start-Up Part 1: Every movie ever made, in any language, anytime, day or night…
By Roger Jackson
 

I joined the short films website iFilm.com in 1999 and stayed until 2006, after we sold to MTV. By then we’d also sold out our original vision, captured perfectly in this 1999 commercial. Since iFilm I’ve produced war-zone documentaries for the Annenberg Foundation, started a production company, and for the past year run humanitarian projects in Afghanistan and West Africa. But I often thought of that iFilm vision…and now, more than a decade later, I find myself the co-founder (with film composer Klaus Badelt) of a digital film startup with a similar mission. This is the first of a series of weekly guest posts as we bootstrap this new venture — ideally with a ton of critique and input from you.

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Truly Free Film

Kickstarter for Filmmakers — The Campaign Site

This is our final excerpt from  James Cooper’s eBook www.kickstarterforfilmmakers.com. Today James offers suggestions on how to structure your personal Kickstarter page.

by James Cooper

Campaign Body

The body text of your campaign page is one of the most important pieces of the puzzle, and should receive your full attention to detail when deciding what information to put in, and how to present it. This is where you pitch people on your film and sell them on why they want to be a part of it.

What is it about?

This is where knowing how to pitch comes in handy. You remember pitching, don’t you? The practice of distilling your story down to one or two sentences so you can quickly tell people what your film is about? I know you hate it, but it’s an essential skill, and one you’re going to have to put to good use here. For the purpose of your crowd funding campaign, a good pitch should read like the back of a DVD case, or like the description that comes up when you’re flipping through films On Demand. What’s most important is that the characters and story of the film are clear and easy to understand, as well as the genre. You’re selling your film to people who haven’t seen it yet, so you’d better be able to hook them!

Who is involved?

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Truly Free Film

Saving Indie Film With Facebook

by Reid Rosefelt

Did you know that Facebook probably doesn’t show most of the posts you put up on your movie’s fan page?

According to a recent study, 84% of the fans on an average Facebook fan page don’t see any page posts in their news feed. Of course this is just an average; you may have a kick-ass page. Let’s check. You probably know the number of likes you have, but go to your page and look at the number of “People Talking About This.” This is a total of how many unique people interacted with your page during the last week. These are not people who merely “saw” a post but actually did something such as clicking “like,” commenting, or sharing. How did you do?

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Truly Free Film

Kickstarter for Filmmakers — Campaigning and Rewards

Here’s another excerpt from  James Cooper’s eBook www.kickstarterforfilmmakers.com. This time James’ has some advice about how to manage your crowdfunding campaign and the rewards to offer.

by James Cooper

 

Campaigning as a Team

Up until this point, we’ve been under the assumption that you’re acting as a one person band for your film’s campaign, but that doesn’t have to be the case. Assuming you’re not the Writer/Producer/Director/Director of Photography/Editor/Actor, there should be others involved in the making of the film that have a vested interest in seeing the project come to life, so there’s no reason why you shouldn’t be combining your efforts to maximize the odds of success.

Successfully running a crowd funding campaign can become the equivalent of a second job, and spreading the responsibility around to multiple members of your team can take some of the weight and pressure off you to be on your game 24/7. You’ll all have to do your own social media posting, but alternate outreach can be divided up to help maximize efficiency and give you a few minutes to breath, which is a welcome opportunity when you’re in the trenches of a campaign.

The other great thing about campaigning as a team is

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Truly Free Film

Kickstarter for Filmmakers — Is Crowdfunding Right For You?

James Cooper has written an eBook all about Kickstarter, compiling what he learned over the course of his own project. He’s kindly letting us reproduce some of it here for you. Look out for two more excerpts next week, and check out his book at www.kickstarterforfilmmakers.com

 

Kickstarter For Filmmakers 

by James Cooper

 

Is crowd funding right for me and this project?

Seems simple, and probably a little obvious, but you’d be surprised by the number of campaigns that are launched without ever taking this into consideration. As I said before, crowd funding is not free money, and success isn’t made possible through the simple act of having a campaign. There are several questions to ask that will lead you to determine if you should be pursuing a crowd funding campaign or not:

Is the film interesting to people who aren’t working on it?

This is possibly the toughest question to ask, because people don’t like to consider the idea that they have a project that doesn’t really have an audience. Many filmmakers, are guilty of making films for themselves. This works when you’re footing the bill yourself, but when you’re looking for money from outside sources, you’re going to need elements that hook your potential audience. This may be a killer story, a unique way of making the film (stop motion, green screen, etc.), or noteworthy cast/crew (or anything else you can think of that makes your project stand out), etc. Preferably, you’ll have a combination of things.

The key here is to make sure you have a project that will catch not only the eyes of family and friends, but also their friends, people who follow you on Twitter, and complete strangers that may happen by your campaign by any of a hundred different ways.