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Truly Free Film

Film Tax Incentives Need To Focus On Low Budget Production Too!

It is frustrating from an indie producer perspective that all film-centered tax incentives, both here in the US and abroad, are geared towards the higher budgeted films. It is totally understandable though, as the Hollywood & big budget fare bring in the most revenue and the most jobs. This sort of bias however, also limits the growth of local creative talent — in fact you could argue that the bias to high priced production in tax incentives drives out the local talent and thus prevents creative communities from developing in the regions in which the incentives are supposed to help.

Unless such tax incentive programs also focus on the sustainability of the creative community — in addition to maximizing tax revenues and employment — it will always be carpetbaggers who benefit from policy and not the local community.

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Truly Free Film

It Does Keep Getting Better And Better

The evidence is out there. The future is less painful than the present. Our tools keep improving. Access too. Thus opportunity. Wasn’t it less than a year ago that we hadn’t seen all that a DSLR camera can do? Evidently, REVERIE was the first 1080p video widely released that was shot with the Canon 5D MKII. I am sure that the millions of folks who have now watched it weren’t all filmmakers, but still you can feel the excitement of watching it for the first time and recognizing what you can do with these cameras. They’ve already made films I am involved in better.

Reverie from Vincent Laforet on Vimeo.

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Truly Free Film

R.I.P. Harvey Pekar

He brought us one of my best film experiences ever.  As true an original as there can be and a man of principles, humor, insight, and artistry.  An American splendor.

This is a very nice obit from Cleveland.com

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Truly Free Film

“Reaching The Impossible” Indie Prod Battle Diary: MADE IN CHINA

Today’s guest post is from the star of 2009 SXSW Grand Jury Prize Winning film MADE IN CHINA, Jackson Kuehn.  I had the good fortune of being on the jury (with Scott Foundas and Anne Thompson) that year and was delighted how ambitious, inventive, funny and moving the film was.  As great all of those qualities were, the film also was centered by Jackson’s comic and committed star turn.  Jackson and Judi (Krant — the director) are both the real deal.  I will make a point of watching whatever they do.  And lucky for you: MADE IN CHINA is now up on IFC VOD.  If you love Indie Film, if you believe in ambitious film, if you want a diverse & unique film culture, if you want some good laughs, or just want to see how much can be created with very limited means, PLEASE make sure to watch MADE IN CHINA this month (and tell all your friends likewise).

‘One Hundred Year Old Egg’

by Jackson Kuehn

I was suffering from gastric pain, malnutrition, hot weather conditions, incoherence of thought, so three Lomotil pills later, I decided to stand up for myself and address the situation to Judi Krant during the casting process of our beloved Dorothy.  I let Judi know that agitation had gotten the better of me and I felt that at any moment I was going to die in Shanghai, China; commonly known as the Paris of the East.  At that precise moment, Judi’s highly concentrated eyes shifted my way like a famished, bloodthirsty wolf who had one last shot to feed her babies and to get it through my head that she’s the leader of the pack.  She said, “Jackson, now is the time to fight through it all.  I don’t want to hear any more excuses.  You need to toughen up now.”  I nodded my head and agreed.  Then she said, “For the next three weeks, you’ll be sharing the queen sized bed with Mr. James Choi.”  

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Truly Free Film

Embedded In Real Life: The Kickstarter Film Festival

Today’s guest post is from Yancey Strickler, one of the founders of Kickstarter, the crowd funding site. Kickstarter, along with other crowdfunding sites, has brought some real change to the indie film landscape, bringing more power to the creator class to fund their work. But getting your work made, is just part of what it means to be an artist these days; you need to get your work seen (and that’s not all). Luckily for us, Kickstarter is just getting started.

This Friday night on a Brooklyn rooftop, Kickstarter will host the first-ever Kickstarter Film Festival in conjunction with Rooftop Films. The night will feature 90-plus minutes of footage from a dozen filmmakers who successfully raised money on Kickstarter, among them documentaries, features, and shorts, as well as dance and experimental film. There will be music, plus delicious treats provided by Kickstarter food projects. If you’d like to join us, tickets are just $10.

Since Kickstarter launched 14 months ago, filmmakers have used the site to raise funds for post-production, shoots, crews, equipment, music licensing, locations, film festival prep, DVD production, color correction, and just about every other cost associated with making and distributing a film. They’ve found success: almost half of the film projects meet their funding goal. Overall $10 million has been pledged on the site — $2 million of it to film projects.

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Truly Free Film

Revisiting The Topic Of INDIE MOVIES & YOUTH

Over at Filmmaker Mag blog, Scott Macaulay finally got around to posting a reply to my “Can Truly Free Film Appeal To Younger Audiences“and all the comments everyone supplied.  Scott conducted a bit of a survey among filmmakers in their 20’s to find out what films changed their life.   The results are a bit surprising; the old ones held onto to their classic status.  Check it out here.

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Truly Free Film

‘Left Unsaid’: Genesis of Web Series

Today’s guest post is from Nelson George.  I love hearing how artists who have worked historically in traditional media have made the transition into new forms.  I asked Nelson how his new web series “Left Unsaid” came about.

Last year, after a very sad break up, I moved into a roomy recently renovated apartment very close to Fort Greene Park. I had exposed brick, a downstairs living room, a staircase, a backyard with bamboo trees and lots of storage space. Instead of focusing on decorating, I thought, “I should shoot something in here.” I’d directed an HBO film, Life Support, around Fort Greene/Clinton Hill in 2007 and this new place inspired me to write another script set in my hood. I’ve lived in the area some twentyfive years and knew, as its changed from a area known for Spike Lee movies to one synonymous with white kids in baby carriages, there tons of stories to tell.

With the break up still a fresh psychic wound I decided to write a project that would feature the many gifted but underutilized actresses I knew. I wanted to explore my feelings about women, but didn’t want to impose my male view on the characters. So I recruited an eclectic group of women —