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Truly Free Film

Eddie Burns Learns To Love Doing It DIY

Michael Tully of HammerToNail has a really great interview with Edward Burns on his path from small to medium to sorta big and then back again.  It’s filled with the kind of insights that can only be offered by those that have been there — and are willing to be truly honest, with both themselves and us.

I remember when we were at Tribeca, and John Sloss, who I’m sure you know, has this new venture called FilmBuff, who is our distribution partner with this film. And he gave me an argument, but not so much for VOD. Maybe five years ago, I had this movie called Looking For Kitty. And the movie got one tiny, tiny distribution offer from THINKFilm. It was one of those no advance partnerships, and we had made the movie for a quarter of a million dollars. John said, “Look, you’re gonna sell the movie for nothing and they’re gonna own it, just so you can satisfy that part of your ego that wants the film to be released theatrically.” He goes,

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Truly Free Film

What are 3-4 things that help films “break out”?

Among the other questions I am frequently asked are “What are 3-4 things that would help your film break out?

  1. Unique content and approach;
  2. High profile supporters & participants;
  3. Participants that are highly active and committed to social media;
  4. An already aggregated and identified participatory audience/community base; and
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Truly Free Film

PPP: (Picture, Parties, Panels) – a formula for success

Guest post by Joao Amorim, Emmy Award nominee director of 2012: Time for Change, a feature doc offering an optimistic alternative to apocalyptic doom and gloom and featuring leading experts, scientists and celebrities including: Sting, Ellen Page, David Lynch, Barbara Marx Hubbard, Gilberto Gil, Dean Radin, Buckminster Fuller, Paul Stamets, Shiva Rea, Tiokasin Ghosthorse and many more.  It is currently playing in NYC at Loews Village 7 through Oct. 28th.

Moving towards an Open Source culture in film distribution with 2012: Time for Change

Understanding the changing distribution landscape in 2008 while we were financing this project, Mangusta Productions and I decided to build in some P&A monies into our budget.  When we completed the film in March 2010 we all agreed that

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Truly Free Film

What are the biggest 3 problems in the indie film community today?

This (“What are the biggest 3 problems in the indie film community today?”) is one of those questions I get asked alot.  I don’’t think there is a simple answer to this. If you read this blog, you already know I can never get my list down to just three answers.  But I get asked this so much, I am going to give it a shot.  Ready, set, go!

I have identified 75 problems which I have posted on this site (38 Problems, & original problems). The list seems to refuse to get shorter, even as problems get solved.  Nonetheless, it’s growth is not a cause for despair, but a truly energizing phenomenon, as I bear witness to our community coming together to make it better.  People are taking chances, experimenting, and daring to think brave thoughts.  So it is not a problem that there are so many problems.  The vast number of issues facing Indie Film is really just one big opportunity.

That said, that question of what is The Big Three gets asked time and time again.  My answers will always change, thankfully.  The question itself is akin to a thermometer, just taking the temperature of the here now.

I think the biggest problem for indie filmmakers is

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Truly Free Film

SUPER World Premiere

SUPER World Premiere Clip from Ted Hope on Vimeo.

A clip from the forthcoming extreme superhero film, SUPER, written and directed by James Gunn, starring Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Nathan Fillion, Linda Cardellini, and Michael Rooker. Miranda Bailey was my producing partner. It will be distributed in the U.S. by IFC Films.

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Truly Free Film

This Is, Was, & Will Be… Indie Film

Forget that it is music.  Forget that it is ten years ago.  It is still about filmmaking now.

Hat tip to Elizabeth Agate for the link.

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Truly Free Film

Committing To Hybrid Distribution: “The Taqwacores” Story (Pt. 2 of 2)

Guest post by filmmaker Eyad Zahra.   His first feature film “The Taqwacores.” — a DIY production — world premiered at Sundance earlier this year, and opens in New York City at the East Village Cinema today, October 22nd. To learn more, visit www.punkislam.com.  Check out the 1st part of this post here.

Make no mistake.  The indie film world is pretty topsy-turvy right now.  As anybody who reads Ted’s blog knows, there are fewer buyers out there, all the while the digital revolution has allowed for movies to be made then ever.  The market is flipped upside down, and who knows when or where it will every land back on its feet.

As the producer and director of The Taqwacores, my first feature length film, I have had the highest of highs, and lowest of lows in my first filmmaking adventure.  I want to be honest here, and not sugar coat the experience whatsoever.  It has been a wild roller coaster to make this independent feature film, a roller coaster ride that has been going on for nearly 3.5 years (and counting).

As a first time feature length filmmaker, I had thought the biggest hump was production.  I figured, all we had to do was get through those 3 weeks of shooting, and everything else would be down hill.

The reality is that it never gets downhill.  It only gets uphill, and it gets steeper and steeper the more you go forward.

That said, I would do this all over again in a heartbeat. That’s how much I love the story I have chosen to tell, and the life-long friendships I have made because of this production.  To any filmmaker out there, you better make sure you love (not just “like”) the people you are working with, and that your narrative is something you can dedicate years of your life too.

To learn more about how we made the film, check out the production notes here.

Today we release the film in New York City at the East Village Cinema.

At this juncture, we are releasing the film domestically through Strand Releasing (Marcus Hu, Jon Gerrans, and David Bowlds), and these guys have been nothing short of incredible.  They have allowed me to be part of the entire release process, and I deal directly with the heads of the company, and my concerns are always answered by them in an immediate manner.   I have been even given an open invitation to swing by their offices any time.

What I love about our release strategy is that we are using a hybrid method towards launching this film.  We are doing a standard limited theatrical launch in NYC and LA, while along stressing an intense grassroots campaign effort.  It’s a bit of the old and new wrapped in one, which allows me to be involved as much as I want to be.  I have been involved in every major decision for the film.  I also manage our online media (website, facebook fan page, twitter) personally.

We originally launched the film at the Sundance Film Festival, which