Where are the champions? And I am not talking about the victors, but the amplifiers. It is so hard for good work to get noticed. Even if you get into a major festival it is easy to get ignored. And what about all the good work that doesn’t even make the festival cut? Do you really have to buy your way into a New York opening, so that the NY Times covers you, so you get a review, so that you may get bookings everywhere?
Don’t working directors have time to watch new movies?
