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Truly Free Film

Who Really Wants To See Cinema Nowadays Anyway?

I had the pleasure of participating on a panel at  17th Europa Cinemas Network Conference  in Paris last month with Saskia Wazel, the policy manager for Consumer Focus UK.  What follow is Saskia’s presentation “Cinema as the Essential Link Between Film and Audience” .

 Saskia used herself as a case study and did a very good job also articulating why she did not want to see most movies.  When I complemented her on her frankness, she responded:

“Someone had to tell them that they are having subsidised acid flashbacks since 1968…. it’s not real you know!”

Categories
Truly Free Film

Still Don’t Understand How Facebook Sells Movies? Read This.

By Reid Rosefelt

The HBO show “The Wire” went off the air in March of 2008 after five seasons. It never received hire ratings or an Emmy nomination, but many critics called it one of the greatest TV dramas of all time when it was on, and admiration for the program has increased exponentially over the years.

HBO put up an official Facebook page in 2010 which currently has 1.7 million likes. This past Tuesday, December 4th they put up a picture Wendell Pierce as beloved Detective William “Bunk” Moreland accompanied by the quote , and asking the fans to share their favorite Bunk quotes.

So far, 1505 people have commented, 13,129 liked the picture, and 1879 people shared it, for a total of 16,513 mentions on Facebook timelines.

Categories
These Are Those Things

Happy Birthday Fog City Mavericks!

It was on this day, 43 years ago, that Francis Ford Coppola and friends, established Zoetrope Studios in San Francisco.  Indie owes it heart to them.

 

Fog City Mavericks – Part 1 of 5 from Gary Leva on Vimeo.

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Truly Free Film

What Mistakes Did You Make On Your First Film?

A week ago, I asked this question on Twitter, feeling that it would be good advice for everyone to have.

I started things out by sharing that I thought everyone would be professional and want to get along.

My first production was called TIGER WARSAW.  I was 23 years old I believe.  I found the script, developed it, did all the initial budgeting & scheduling, cast it, did the cast deals, hired the key crew, did those deals, designed some of the shot lists, over saw the production, and got credited as the “Assistant To The Producer”.  There was very little trust or good behavior on the show, but there was a fair amount of drug abuse.  Lots of threats of different sorts.  Many separate agendas.  When it was done I quit the business to become a drug counselor (but didn’t get very far with that…).The mistakes I and others made, including false assumptions, definitely informed me going forward.

I suspected I would get more response from the Twittersphere than I did.  But what I got was good.  Here are 8 responses.  Next time I will remember the #hashtag…

 

@TedHope Using whatever music I wanted in rough cut and then falling in love with it before truly grasping that it was never gonna happen.

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Truly Free Film

Diary of a Film Startup Part 16: Top Ten Lessons, So Far

By Roger Jackson

Previously: Film Marketing Tools

Train to Stockholm
We get amazing indie films submitted to KinoNation almost every day to our Private Beta launch. Here’s one that’s beautifully shot, with a theme of cross-border connectivity that will, I think, appeal to many video-on-demand platforms. Keep submitting movies!

10 Lessons
As we close in on year’s end — and 4 months work on KinoNation — I thought I’d share some lessons we’ve learned that really apply, I think, both to startup ventures AND to indie filmmaking. They seem obvious to me with hindsight, but they weren’t obvious when we started just a few months ago.

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Truly Free Film

My War, Part 1: The Ugly Side

By Mike Keegan
Cinema is dead, no one goes to the movies, film is dead, who actually goes to the movies, they don’t make ‘em like they used to, there’s nothing new under the sun—my gosh, don’t you just WRETCH at the thought of these phrases, either in a hundred and forty characters or time-wasting think pieces or overheard on BART or anywhere else under the sun.  Here’s the secret—and I’m preaching to the choir here—American independent cinema is going through an amazing renaissance at the moment.  Really!  It’s just ACCESS to these movies that’s the problem, but I’m getting ahead of myself.

It’s easier than ever to make a movie.  You, dear reader, could conceivably

Categories
Truly Free Film

Prepping for the Future with the Vision Machine iPad App

By Greg Pak

I came up through independent film. Then I snagged a meeting with Marvel and spent most of the last eight years writing comic books. Now I’ve just completed an iPad app version of one of my graphic novels that combines elements of both comics and film. Here are a few thoughts about what inspired me as a filmmaker and comic book writer to plunge into the transmedia world of the “Vision Machine” app project and what I’ve learned.

Why “Vision Machine”?

A few years ago, Orlando Bagwell of the Ford Foundation approached me with the idea of creating a comic book that would help independent media makers imagine the technological, political, and social changes that will affect us over the next fifty years. As an indie filmmaker, sci fi guy, technology freak, and comic book creator, I was immediately hooked. What resulted was a 80 page sci fi thriller that follows three filmmaker friends as they confront the incredible potential and danger of the iEye, Sprout Computers’ latest piece of revolutionary personal technology. The iEye allows users to instantly record anything they can see or imagine, then edit, add special effects, and share it with the world just by thinking about it. Our heroes plunge into a mind-blowing utopia of creativity… and then, of course, the other shoe drops.

With its emphasis on copyright, trademark, privacy, and surveillance, “Vision Machine” let me explore questions that I’m always thinking about as a filmmaker and a citizen of the digital world.

And then ITVS came along and let me take the project to a whole new level.