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Truly Free Film

Sometimes You Have To Change The Ending — Metaphors & All

By Alejandro Adams

“If we do not reunite Sykes and Thornton, which shows that people do side together, that they do stick with each other…then perhaps we have destroyed everything we have been talking about in this picture.” — Producer Phil Feldman in a letter to Sam Peckinpah regarding the the final scene of THE WILD BUNCH *

It’s not every day that a notorious bruiser of a director gets along with his producer. But it’s equally rare that a producer respects a filmmaker and his vision to the degree illustrated by the note above–Feldman had even protested Peckinpah excising some of the film’s more violent bits. Directors are usually the ones who get so far up the ass of their own work they can’t see clearly. In a somewhat alarming inversion, Feldman was a producer exhibiting more concern for the integrity of the film than for the paying audience. **

I’ve started with an anecdote about a producer not only because this quasi-promotional outing is brought to you by Ted Hope’s kind invitation but also because filmmaking is about relationships, sometimes just one relationship, and it can feel like the scene that reunites Sykes and Thornton. Or not.

Categories
Truly Free Film

Music Biz Is Quicker Than Film Biz (again!)

Doesn’t it bug you how everyone knows the world has changed but so few folks do anything about it?  Or even worse, how whole industries choose to ignore the realities of today.  We call something the the way it is, because THEY say it is, not because it actually is.  Instead of moaning about it though, I find it heartening when some adjustments occur, bringing us closer to reality, even when it is not my community doing the readjustment.  Each step closer to the reality gives me hope.

My twelve year old boy likes to point out that curses are curses only because we call them curses.  Well, what we call success is only success because of how we define it.  I do think we have to get far beyond money as the basis of most achievement, but all that aside, even in the revenue reporting we’ve got a lot of ground to cover.

I was pleasantly surprised to see that The Music Biz’s paper of record, Billboard, has changed the way that they determine chart toppers, adding in digital download sales and streaming data.  Yes, this has it’s share of problems too, but I do think it more accurately reflects how people consume music (but what do I know).  And I do wish something similar would occur in the Film Biz.

Imagine if we had VOD data and streaming data.  Wouldn’t that show what people are really watching?