Jen Stark is an artist that works with colored paper and does all kinds of things. Check out her website.
She has done a couple of animations that we are very excited to put in our bowl.
Thanks BoingBoing!
Year: 2010
Ms. Dargis has been doing an excellent job covering — and contextualizing — Indie Film’s move towards an artist-centric collaboration with the audience (and away from an exclusive control by the corporations in terms of what is made and exhibited).
And she just gave TrulyFreeFilm some serious props today. Perhaps that is why you are reading this now (that is if they fixed their online link). Anyways, this is that big shout out of thanks.
In regards, to art films current inability to attract young audiences, Manhola quoted me:
it “is really surprising how few true indie films speak to a youth audience.” He continued, “In this country we’ve had Kevin Smith and ‘Napoleon Dynamite,’ but nothing that was youth and also truly on the art spectrum like ‘Run Lola Run’ or the French New Wave (‘Paranormal Activity’ not withstanding…),” adding: “Are we incapable of making the spirited yet formal work that defines a lot of alternative rock and roll? And if so, why is that?”
If you want to read the whole post that came from: this is it.
And if you are coming here for the first time, please “follow” this blog (see column on right), follow me on Twitter @TedHope, and come join me on FaceBook. And please join in the conversation by commenting, posting, and retweeting.
We can keep a diverse and vital culture alive and flourishing but only with your participation.
Categories
The Known Universe
Not only is this beautiful, but it speaks of the possibility of all things. Our bowl is so small and the universe is so large.
Watch it full screen.
Please, let me know what you think about what we are discussing.
Sit down, pour yourself a glass of wine, eat a chicken wing, and join myself, Christine Vachon, Jonathon Schwartz, Thomas Woodrow, & Liz Watts discussing how to survive as a producer in this day and age.
Categories
Sundance Observation
To me, the filmmaking community (the artists, the business folk, the curators & promoters, the appreciators & fans) have to embrace that we are in a seismic shift to an artist-centric collaboration with the audience and away from the corporate controlled supply & attention. This requires a redefinition of cinema by its creators to embrace the discovery, engagement, presentation, promotion, & appreciation processes as much as we do development & production. We have to erase the lines between between art & commerce and content & marketing. We have to stop thinking of films as singular objects and refocus on how they are bridges for the ongoing conversation we have with audiences. Specifics like VOD numbers are important, but we miss the point if we don’t look first at the big picture.
Hollywood will survive because of its ability to develop, produce, market, and distribute “Event” pictures. Whereas Hollywood’s Event Pictures are defined as being designed for general audiences, Truly Free Film can have its own event pictures too by focusing on specific audiences and understanding what it is that will drive people out of their house to do something in conjunction with others. So what are those qualities of “event”?
- A conversation that inevitably will continue after the screening is over. It is an event if you are compelled to discuss it afterwards. Is that a memorable scene? A relationship to the world we live in? Truth? Understanding? Passion? Beauty? Transcendence? What? What is the return the audience gets on their 90 minute investment? It’s the after-effect, the conversation.
- Content whose impact is enhanced by timely consumption. The audience recognizes that their social and intellectual capital will increase by having been among those whom participated — and thus are compelled to attend.
- A once in a blue moon opportunity. It expires, is used up, & is gone gone gone. If you don’t go, you will never get this chance again. It is dated and defined by that date.
- There are many pieces that fit together into something much much larger. Maybe it is part of a series or a sequence. Maybe it is the fact that the screening is only part of a bigger activity.
- The awareness that a lot of people will be participating somehow. The larger the audience the more it is an event. The wider the audience the more it is an event. The more an audience is spread out, the more it is an event.
- The memory, the understanding, and/or the appreciation of the participation changes as time passes. Events aren’t static. They grow and transform.
- Events have a material aspect to them. We take events home with us somehow, but generally via the merchandise that we barter for with our dollars.
- People you will never know are talking about it. When the Velvet Underground or The Sex Pistols first played they were events, perhaps not so much in the moment, but certainly in terms of how they were discussed long afterwards. It is partially the knowledge that we have that others are talking about what we participated in that defines an experience as an event.
- Anticipation. What makes us think about doing things in advance? How often do we need to be reminded that something is happening here?
- Commitment. If we commit to participating in something, it’s importance grows tenfold. If we, by either our own volition, or the badgering or heckering of our friends and acquientances, commit to something, it becomes the event of the moment.
I am up at the Sundance Film Festival now, where every screening feels like an event. People wonder why certain films can pack the house at a festival but no one shows up when booked for an actual run. The context of a festival creates the urgency. Yet even still here, you feel that not enough is done by just putting it up on the screen. Filmmakers need to focus more on the context they create around the film. In this day and age it is irresponsible to simply screen your film. You need to build ramps up to the event, and bridges after the screening — tools & processes that keep the conversation going. It is surprising how few examples there are of folks who are doing it well.
For me, right now, being here in Park City, perhaps the most perfect practice of this is Banksy and his film Exit Through The Gift Shop. The mystique and craft and philosophy of the street art and artist leads me to the movie and keeps me wanting to see the film even though my schedule does not yet permit.
