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Truly Free Film

Who Is Really Prepared For Sundance?

If only I had more hands.  And more time.  And less things that really got me excited — like movies I want to make.

Anyway, I have been wondering what films and what filmmakers had gone ahead and made a trailer, built a website, had been blogging, placing clips on line.  You know: all the sort of stuff that needs to be done so you can truly launch at Sundance.  
It currently looks like the list of Those Who Are Prepared is not surprisingly dominated by those that have the most funding (and thus the most hands).  But it really doesn’t have to be so (I know that’s a lot easy to say, than do, but still…).  
Cinematical has run with a good opening list of the trailers for Sundance films.  I hope someone does a list of websites soon too.
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Truly Free Film

What’s Needed Now? Chesanek contemplates

Brent had some thoughts to the question of what’s needed now:


I completely agree about what’s needed. If you notice, Pitchfork is a conglomeration of so many sections, from lists to music videos to interviews, etc., that it becomes a one-stop shop for visitors, or at least a magnificent starting point to news, reviews, features, interviews, videos, etc.

This could be done for our community, but adding a local basis with subdomains. So NYC film events and reviews of films playing here is one subdomain, LA, Seattle, Boston, Philadelphia, Orlando, Austin are others. They could all share content but arrange it based on the local scene and screenings and then could add local content.

Getting audiences to a specific time and place to see a film is just as crucial as getting them a review of that film. Imagine a public iCal or Google Calendar with film schedules, not showtimes necessarily, but dates and schedules, so we can see, for example, The GoodTimesKid is playing only FOUR DAYS this week at Anthology while Pleasure of Being Robbed is playing for the next 10 days at IFC. One calendar with all the theaters’ schedules. Is there anything like this?

Right now in Google Reader I have all these feeds in a folder. But the problem is that things disappear as I read them, and then articles and features don’t get the face time that they do on Pfork or in a more traditional magazine format. So I read a Hammer to Nail review and then the next day I don’t have that review or that screenshot from the film there to remind me that the film is playing, nor do I have a schedule of how long I have to see that film. RSS readers and scroll-down blogs are magnificent, but again, they don’t lend repeated viewing–they’re designed to do the opposite.

Pitchfork is setup so well I prefer going to it rather than subscribing to its feed. It encourages browsing and promotes repeated viewing of its features. I think for our purposes, Pfork is arranged better than content in an RSS reader or scroll-down blog. If I go to Pfork, I get new content as well as another reminder of that record they loved and reviewed 3 days ago–while I didn’t have time to seek it out and listen then, I do today. The more we see something, the more inclined we are to look into it or at least remember it.

Building something like this for my own use is possible if I scour the web daily and go crazy coding something myself or figure out how to customize iGoogle or My.Yahoo, but maybe it could be stronger if there was one central build of it, at least for each metropolitan area. I know the web is very much about letting users decide on their content, but I think it’d be more effective in promoting the lesser-talked about films if it was moderated by a party with that goal. Pfork is still not user-generated in the least, but it’s absolutely a community and beyond, because record stores notice their sales heavily correlate with Pitchfork’s content and because there is such a large anti-Pitchfork crowd.

I ask again, is there anything like this?
–Brent Chesanek

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Truly Free Film

Brand Sponsorship: The Various New Tools

I got one of my first breaks in the film business over twenty years ago.  I walked into a production office and told them that I could raise over $100K of product placement for their indie film.  No one was doing it in those days and there was no how-to guide.  I told them they did not have to pay me unless I was successful.  I went to the library did some research on companies, and started cold calling.  It was pretty much a piece of cake.

Nowadays there are many product placement agencies that the brands contract with to seek out good placement opportunities.  On a typical indie film, you hire a rights clearance and product placement person to work with you clearing and obtaining trademarked items.  It’s a labor intensive field based around relationships and know how.
With the ubiquity of user-generated content, new opportunities have risen not only for the brands, but also for filmmakers.  Although I don’t know of any pot-of-gold stories, there are a handful of new services looking to bring efficiencies to the field by helping brands and creators utilize various online tools.  Granted no artist desires to turn their work into a walking advertisement, but brands also have an incentive to bring audiences to a work that they are featured in.  Careful consideration can yield a win-win situation.  
Which of these new services are the best?  What other ones are out there?  How do they differ?  I don’t know, but maybe some of you do.  These are the ones that I have found so far:
PlaceVine
StoryBids
XLNTads