Film Festivals are a bit like conventions or auto shows. The bigger ones get the entire industry and they transform from a cultural celebration to one big networking showdown. The energy is driven by the potential more than the reality: will your film be discovered and you be given a pot of gold and the keys to Hollywood? Many try to adjust to reality and just hope to meet some agents and distributors that they can follow up with later? The ambitious dream of meeting financiers or movie stars.
Day: December 10, 2008
Other ways to tell stories
A couple months back, I read about a novel from the ’60’s that wasn’t bound as a book but as individual chapters that could be read in any order. The novel was about memory and as such the form mirrored the content’s non-linear nature. The playfulness of form has stayed in my mind (and on my agenda).
Thanks Geralyn!
9. Plenty of DVD manufacture & Fullfillment places (see sidebar).
10. Plenty of places to place your content online for eyeballs to find (anyone want to generate a comprehensive list to share?).
11. Things like Netflix and Blockbuster.com make it possible for anyone with a mailing address to see any movie he or she wants. A lot of viewers who haven’t had access to theaters or even video stores that stock smaller films can now get them if they know about them. (thanks Semi!)
12. The Major Media Corporations retreat from the “Indie” film business. This will open up distribution possibilities for entities not required to produce high profit margins or only handle films that have huge “crossover” potential and necessitate large marketing budgets.
13. A new turn-key apparatus is evolving for filmmakers who want to “Do it with others” in that they can hire bookers, publicists, marketers – all schooled in the DIY manner of working. Instead of hoping for a Prince Charming to arrive and distribute their film, TFFilmakers are seeking out the best and the brightest collaborators to bring their film to the audiences.