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Truly Free Film

Filmmakers, It’s 2013. Do You Know Where Your Jobs Act Is? Part 2

Written by Michael R. Barnard

FILMMAKERS, IT’S 2013. DO YOU KNOW WHERE YOUR JOBS ACT IS?

Part 2 of 3 parts.

Yesterday, in Part 1, we looked at the general state of affairs for raising money from investors for your movie, and introduced the JOBS Act for its potential to help rebuild the independent film industry in America.
Offering securities for your film is tightly restricted and regulated by the SEC. For every rule of the SEC that you ignore, your disgruntled investor’s attorneys will accuse you of fraud and deception and other wrongdoing. They will win, and collect good sums of money for their clients.
“If somebody loses their money in a film investment,” says Jeff Steele of Film Closings, “Nine out of ten times, they’re going to sue the producer. That’s how the world works. The difference between being sued by ma and pa investors or Accredited Investors is that Accredited Investors have better lawyers.”

For the definition of “Accredited Investors,” see http://www.sec.gov/info/smallbus/secg/accredited-investor-net-worth-standard-secg.htm

In simple terms – explanations that are more complex require attorneys – the process to raise money for your movie by legally offering securities is referred to generally as a “Private Placement Memorandum,” which usually costs about $15,000 or more in time and fees.

When you have your expensive PPM, what can you do with it?

Categories
These Are Those Things

We Have Lost A Good Friend

RIP George Gund

Your love of cinema & life, your generosity & great spirit were truly infectious. @SF_FilmSociety has lost a great friend.

I did not know George well, but I had had some good times with him, and very much enjoyed encountering him at festivals throughout the world.  When he and his wife Iara Lee brought us and other filmmakers down to Brazil to lecture on Low Budget Indie — it was the first time I really felt people got what I wanted to do and cared.  That was George.  It was such a gift.  

Every where George went he communicated his love of cinema.  And

Categories
Truly Free Film

Change The Model: Build New Alliances To Deliver Greater Value For A Better Price

The post I did on “The Really Bad Things In The Indie Film Biz 2012” has generated a lot of health conversations.  The wise recognize that each of these really bad things is just an opportunity to make this all better — and sometimes to make some money.  The post has been shared and “liked” more that usual for this blog and I think that speaks well of our collective endeavor to rescue indie film.

I particularly liked all the comments the blog generated, and have done my best to reply to them.  Thanks for the participation!

I want to single out one comment in particular from Jb Bruno, who kindly has allowed me to repost it here:

Maybe one way to break the hold the people at the top have on the artists is to change the model, as it’s a model that serves them but not even one an audience really wants.

Movie-going in its infancy was about