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Truly Free Film

Why I Felt I Must Not Focus On Project-Specific Producing At This Time

AKA ” Why I Want To Be Part Of The San Francisco Film Society”.

Last Wednesday, Oct 3rd, I gave my first address to the membership of The San Francisco Film Society as part of our Annual Funding Campaign Drive.  We had a good turn out; I like to think it was for me and the organization, but the food and wine were both enticing too.  I did my best to explain why I left NYC and headed to San Francisco.  It required that I explain why I love cinema and what it means to me, as well as some of the issues facing filmmakers today and why we need the support of organizations like SFFS.

San Francisco Film Society E.D. Ted Hope from k9sound on Vimeo.

Thanks to Raqcoon Hayop who was there to shoot it and post it for prosperity’s sake.

Categories
Truly Free Film

Diary of a Film Start-Up Part 7: New Mantra: Do More, Faster

By Roger Jackson

Previously: Late Nights and Early Breakthroughs

 

Latest & Greatest

Lots more great films submitted to our Private Beta launch this week. The quality and diversity of the filmmaking is impressive. Every time we watch one of the trailers we’re reminded of why we’re building KinoNation — to make it simple for movies like these to actually get released, exhibited and watched “on-demand” by the global audience that undoubtedly exists for them. I talked to Marianne Hettinger, director of the delightful Mango Tango. Marianne submitted her award-winning film to KinoNation at least partly because — unlike traditional distributors — we’re not seeking a “lock-up” commitment of 10+ years. In fact, there’s no lock-up at all, beyond what is required by any VoD platform that selects a KinoNation movie. Meanwhile,