Categories
Issues and Actions

Net Neutrality Supports Independent Art

Troma’s mastermind Lloyd Kaufman is quite a serious man. Seriously. He puts in a great deal of time and passion trying to preserve and enhance the life of Indies everywhere. He most recently penned a good rallying cry for Net Neutrality that you should not miss.

The Internet, the last free, open and diverse democratic medium, is under attack. Net Neutrality, which provides that no content is favored over any other, and that content creators have an equal opportunity to freely disseminate their information, is being imminently threatened by media mega-conglomerates and their vassals. It is urgent that we fight those who would sacrifice our freedom for a profit. Net Neutrality will be the savior of independent art and commerce if we preserve it.

Read all of it on Save The Internet here.

Categories
Let's Make Better Films

A Scene From SUPER

Categories
Let's Make Better Films

Four Reviews of SUPER: “instant cult classic”

“if there’s any early favorite on that list of bidding-war candidates coming out of Toronto. This would probably be the one. ” “Remember that movie Kick-Ass? About that kid and his cohort of ordinary folks who strive to battle crime in bad costumes and without the benefit of superpowers? Yeah, well, you probably won’t after this.”
Movieline

“Super is destined to become a cult classic, this film is pure movie magic, it has everything, gore, comedy, violence, hot ladies, hell of a lot of heart, story and it’s got something to say.” AintItCoolNews

“Chock full of insanely graphic violence, awash in thoroughly un-PC perspectives, and more than willing to keep on punching long after the audience is virtually incredulous, Super is fun and funny, dark and twisted, semi-schizophrenic and certifiably insane. What I liked most was its simple audacity. And Ellen Page.”
Cinematical

“Filmmaker Gunn, who previously spoofed creature features with the well-reviewed but disappointingly performing “Slither,” really goes in for the satirical kill here, with a take-no-prisoners tone — and a generous amount of exaggerated “RoboCob-style” ultra-violence — that deserves to realize its cult calling.”
The Hollywood Reporter

Categories
Truly Free Film

James Fair On The 72-Hour Movie Project – Reflections (Pt. 5 of 5)

By James Fair

If I think back to the drunken bet in Dublin, when I said that I could make a feature in three days, I believe I have proven my point. I think the audience approval makes my point even further, as it was not only made in three days, but people also liked it. More importantly, I hope that we have helped demystify the production process and gone some of the way towards inspiring filmmakers to try different approaches.

However, the goalposts are now being moved, and people are asking whether it will have a life after the festival. I hope that it can, although it now competes alongside other films in the conventional fashion, jostling for distribution and exhibition deals. If we go back to the aims and objectives, we never designed a plan for what we would do at this stage, which was perhaps a mistake.

I believe there is currently a great deal of methodical examination of distribution and exhibition channels being conducted simultaneously by academia and by business. I have a constant concern that cinema is being marginalised in favour of more dominant screens, especially those of Internet and iProducts.

Categories
Truly Free Film

James Fair On The 72-Hour Movie Project – Production (Pt. 4 of 5)

By James Fair

Unsurprisingly, most of the fascination around the 72 Hour Movie project ‘The Ballad of Des & Mo’ surrounds the process of filming and editing it so quickly, especially in relation to the projects that can take months. In this post, I’m going to focus on how we turned it around in such a short time. I wrote a post for Ted a while back titled ‘The Shape of Things’ that explored the organisational structure of the 72, so I won’t repeat that here. Instead I’ll concentrate upon the necessary elements that must be present in order for the process to work alongside the organisational structure.

The simple target is to maximise effectiveness from the effort. People assume that you would have to work hard to make a film in 72 hours, but that is not as valuable as being productive and efficient. In fact, it is the opposite! To be productive and efficient is to achieve a significant amount with a small amount of work. Efficiency is the ratio of the useful work performed by a process to the total energy expended. If it is hard work, something has gone wrong.

Categories
These Are Those Things

NYC Cinema Tour: Civilization

Context may not be everything,  but it is a hell of a lot.  Marco Brambilla’s video installation for The Standard Hotel’s elevators is a real joy.  You might find me just going up and down for hours sometimes.  It won’t be the same, but I suggest if you can’t get there, to take you laptop to the largest staircase you can find and start climbing while watching the video below.

Civilization by Marco Brambilla from CRUSH on Vimeo.

Categories
Truly Free Film

James Fair On The 72-Hour Movie Project – The Script (Pt.3 of 5)

By James Fair.

On a number of occasions, people have said to me that the success of ‘The Ballad of Des & Mo’ at the Melbourne International Film Festival (MIFF) was the strength of the script. I am naturally flattered, because I wrote it, but I am also a little embarrassed, because I do not view it with the same reverence and respect as others seem to. I’m not saying that the success wasn’t due to the script, I am saying that the script was part of the process.

Honestly speaking, I would never waste a developed idea for a film upon the 72 Hour Movie project. I cherish some of my script ideas too much to use them in such a hurried production circumstance. So I deliberately wrote a script that would suit the purpose of making it in 72 hours, using the process as a catalyst for the script.