Categories
Truly Free Film

Outsourcing The Process

One of the questions that comes up a lot is “How am I going to manage and afford all the additional marketing outreach that is required to be a Truly Free Filmmaker?”.  I don’t have a good answer for that beyond teamwork.  I have always wondered why so many film school grads want to jump right in and make a first feature.  Why not make mistakes on someone else’s movie?  Why not learn by watching others make a lot of mistakes?  Isn’t that part of what teamwork is?

Seriously though, how can you get it all done? That is the question.  There was that article and podcast I heard about the guy who outsourced his life completely.  It made for a good story, but it has haunted me in a good way too.  I still have not heard any stories of filmmakers trying some of these techniques.  That would make for some good stories too.
Sunday’s Maureen Dowd Op-Ed piece in the NY Times “A Penny For My Thoughts” brought it all back home.  She covers the outsourcing of local reporting; it’s funny and horrifying and the same time.  But maybe it is also an answer to some of the problems we are having.  
I raise this while at the same time I take some pride in the fact that they I have never taken a production out of the country to save money.  I have always found that you can make a film just as cheaply stateside where the filmmaking team is more invested in the success of the film — and believing that communal spirit begets a better movie.  Which isn’t to say that the right film couldn’t achieve the same thing overseas.  But production and outreach are not the same thing.  It would be an interesting experiment to see what could be achieved.
Categories
Truly Free Film

"I am committed to destroying the myth of the starving artist"

In reading the recent NYTimes article “Shifting Careers – Making Artistic Careers Lucrative”, it feels like a revolution is taking place in the art school curriculum — a transformation akin to what will transform the Independent Film Community into a Truly Free Film Culture.

I have wanted to start an ongoing column “If I Ran A Film School…”.  I had been thinking I would post it over at LetsMakeBetterFilms since a lot of my concerns are on an aesthetic level, but truth be told you can never separate the art from the commerce when it comes to filmmaking.  And further, and more to the point, I just haven’t found the time.
That said, where is the film school that is going to start to provide courses designed to enable this step to Truly Free Film?  Any film school that doesn’t have mandatory classes on DIY marketing, entrepreneurialship, cross platform cohesion, and basic Web 2.0 skills is just not preparing their students for the real world.  In fact, if you ask me the whole general film school curriculum needs a drastic overhaul.
I love the sound of what Larry Thompson (that’s his quote titling this post) is doing at Ringling College of Art and Design.  I would love to see what that class structure looks like.  To start with, it sounds like the film schools should try to adapt it for their students.  It’s also great that they are in Sarasota; I got to visit the film festival there last year and was very impressed with the programing and community support.  With forward thinking institutions like this in place, you have to imagine that a vibrant film culture could grow there.  But I digress…
Regardless of the film schools though, stories like this, of Claudine Helmuth, are an inspiration and we should look at them for clues for not only survival but transcendence from having to create for the current mainstream outlets and demands.
Categories
Bowl Of Noses

Monsters In NYC


Groovy beasts in the East Village!  Yeah, so what else is new, eh?  Still this Travis Louie cat is splendid with the pencil.  You can see his monsters here, or go see them live at the Fuse Gallery on 93 Second Avenue.