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Truly Free Film

INFLUENCING CHANGE: RELEASING PERSON OF INTEREST FOR FREE ON VODO

Guest post by Gregory Bayne

On Saturday, October 2nd, PERSON OF INTEREST screened at the 2010 Open Video Conference as part of the Shared Film Festival. This event was sponsored by BitTorrent, and curated by our partners at VODO (http://vodo.net). The screening was well attended for an obscure film playing on a Saturday night in the heart of Manhattan, drawing in just over 60 filmgoers to a mid sized auditorium at the Fashion Institute of Technology. In many respects, the screening went off like any other. A short intro, the film, then the Q&A, which was moderated by the very adept and prepared, Brian Newman, distribution consultant and former CEO of the Tribeca Film Institute. We were quite happy with how the entire event went off, but it was what was happening beyond the screening, out there on the interwebs, that kept my collaborator, J. Reuben Appelman, and I brimming with excitement. As the film played for the 60+ attendees generous enough to lend us a couple of hours that evening, PERSON OF INTEREST was being released worldwide as a free to share P2P download via VODO to a potential audience of hundreds of thousands, if not millions.

I originally heard of VODO in late 2009, and was very intrigued by this idea of using P2P (peer-to-peer) file sharing networks as a means to distribute, and gain potentially massive exposure for, independent film. After I witnessed Jamie King’s (one of the ring leaders of VODO) presentation at the 2010 Slamdance Film Festival, I was convinced it was the way to go for PERSON OF INTEREST.

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These Are Those Things

The Path To American Splendor

Dean Haspiel had Harvey Pekar’s wife Joyce Brabner call me. Having long wanted to make a film of Harvey and American Splendor, I optioned the material on the phone. It wasn’t so easy for Dean who struggled to get Harvey to let him work for him, and then got in a fight with Harvey when he finally called. Classic Harvey. Check out the video here.

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Truly Free Film

How Big Brand Sponsorship Saved Our Indie Film (pt. 1 of 2)

Guest Post by Amy Lo

Behind every finished film, there are 1,001 war stories.

This is just one small part of how we willed into being a film called Planet B-boy , and maybe it’s a rare, lucky case. But when it mattered most, it was a big-time brand that 1) came to our rescue with cold, hard cash; 2) allowed us to keep complete creative control; and 3) gave us greater ownership of our own film to boot. They didn’t even realize how crucial it was to us, but the truth is, Samsung saved our indie film.

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Truly Free Film

Transmedia, Brand Sponsorship, & Crowdfunding: New Methods For A Long Gestating Project

Guest post by Zeke Zelker.

Ted: We are trying to find new ways these days.  New ways to tell our stories.  New ways to build community around our work.  New ways to bring audiences out to support our work.  And new ways to fund our work.  As we take these steps down these bumpy paths, it is our communication with one another that will bring forth the best practices.  Zeke had been speaking about some of these such steps that he was employing, and kindly has chosen to share them with all of us. Below Zeke outlines his new film, and then reveals what has made the process unique for him.

I’ve been working on this project for over ten years. Generally I let ideas percolate in my mind, on paper and screen before I set out to embark on bringing the movie to life, my ten year gestation period, is one hell of a pregnancy. I’ll pitch the project to various people within the industry, observe their reaction then go back to rewrite, rebuild, rethink. This project is different, sure we ALL say that, but this one is on two fronts, how we’re funding the project and how we’re telling the story.

Brief Synopsis: Why would four people give up everything to live in a tent, thirty feet in the air, on a catwalk, eight feet wide by forty-eight feet long? To win a mobile home and “ninety-sixty hundred” dollars? Desperation? Greed? Attention? Escape? No matter what their reasons, Clarence Lindeweiler is trying to capitalize on them to save his struggling alternative rock radio station WTYT 960.

At first a laughing stock of the community, Clarence’s hair brained scheme to drum up listeners garners national attention, pulling his radio station from the ratings basement to number two. As the contest wears on, the novelty wears off and ratings start to dip. Clarence takes the do-anything approach to right his sinking ship however his shenanigans backfire. The community and media turn on him, calls ring out to end the contest but success has gone to Clarence’s head. Who will become the lucky contestants? Who wins the grand prize? Tune into WTYT 960 to find out.

The story for Billboard, an Uncommon Contest for Common People! was inspired by true events from my childhood. I recall driving by a billboard, in the early eighties, on our way to the mall, where three men lived, to win a mobile home. Times were tough then; high unemployment, people couldn’t afford housing, high fuel prices, does this sound familiar? Seeing those men waving at us, as we drove by them, has stayed with me.

Within the framework of the project we’ll be exploring many things about the human condition using the platform of transmedia to help engage the audience and interact with them much like the real contest did close to thirty years ago. This is a challenging project and we need a lot of help in its creation.

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Truly Free Film

Secrets Revealed! Hal Hartley On The Lessons Of THE UNBELIEVABLE TRUTH

Today, the 20th Anniversary edition of THE UNBELIEVABLE TRUTH becomes available.  You can order it here on director Hal Hartley’s website.  This little film, put in the can for around $55K, and finished for about $125K, launched many a career (Hal, Adrienne Shelly, Edie Falco, Robert John Burke, Kelly Reichardt, Nick Gomez, Danny Liener, Bob Gosse, Whitney Ransick, Mike Spiller, Sarah Cawley, Chris Rogers and many more).  It changed my perspective on getting things done, on not waiting for others’ acceptance or approval, and to instead use the power and will we all need to maintain.  I am confident it holds many lessons still for us all and am eager to leap into it again.  But what does it’s creator have to say?   Hal speaks:

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Truly Free Film

Woodstock Fest Distro Panel: A New Paradigm?

“Pair of dimes, I would be happy with two nickels,” so joked moderator Bingham Ray, but perhaps one of the bigger truths for all of us.

If you have an hour to spare, give us a listen:

Distribution Panel, Woodstock Film Festival 2010 from BEA Submitter on Vimeo.

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These Are Those Things

Scraper Bikes

Scrapertown from California is a place. on Vimeo.