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Truly Free Film

Diary of a Film Startup: Post # 20: Video-on-Demand Sales Tips

By Roger Jackson

Previously: Searching for Green Card

It’s now exactly 6 months since we started building KinoNation. We’re very close — a month or so — from opening the platform to the world. We now have deals with all the major US video-on-demand outlets, plus several non-US outlets. And doing more deals every week. There are never less than 2 films being uploaded to us at any time, and we have well over 100 movies in the Private Beta. We’ll have a representative at Berlinale and the European Film Market next week, and I’ll be in London in the spring to cement a series of deals with VoD outlets and content owners there. We have big — but also realistic — plans for 2013.

So I now feel moderately qualified to give advice on how to make a film stand out from the crowd — and it’s VERY crowded — in the world of video-on-demand. It’s all too common for filmmakers to pour time and money and passion into making a film, and then fall short on some basic sales elements. Video-on-demand platforms are remarkably similar to video stores. Both are segmented by film genres, and both have lots of titles arranged in some sort of grid — whether online or on-demand TV or on store shelves — that encourage consumers to scan dozens or even hundreds of titles quite rapidly. And then move on. So you have to grab audience attention within a couple of seconds. That’s not much time.

Categories
Truly Free Film

Diary of a Film Start-Up Part 3: The Producer’s Dilemma

Diary of a Film Start-Up Part 3: The Producer’s Dilemma
By Roger Jackson

Previously: Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation
The Producer’s Dilemma
You probably know the classic movie making conundrum that indie producers struggle with: talent (or rather their agents) won’t commit to a film project until you prove you have funding, and investors won’t write a check until you prove you have talent attached. The producer’s dilemma. And, of course, all successful producers find creative solutions to that thorny issue. KinoNation has a similar challenge: It’s tough to get filmmakers fully committed without video-on-demand distribution outlets in place, and it’s hard to sign VoD outlets without a slate of films.