Categories
Truly Free Film

Why on Earth Would I Give Away My Academy Award Shortlisted Film For Free?

By Rahul Gandotra

A few days ago I shared a sampler that allowed people to watch my film for free with a dear friend. Just to make sure the sampler worked and she could put it on her website, I followed up and got this response from her:

“I got everything and it works. I was just not sure that this [your film] is what you actually want to be giving away for free.” I paused and asked myself, “Yes, why the hell are you doing this?” – momentarily ignoring all the months of research I had done.

I replied, “Long story. For now, just share the sampler and let people see the film for free”. This post is about that “long story”.

X400roadHome_gandotra_screenGrab_picoTaxi

My film “The Road Home” is about a boy who escapes from his boarding school in the Himalayas to get back to his parents in England. As you might imagine, I poured my sweat and soul into making it. And given I didn’t want this film to be seen only by friends and family, I worked equally hard submitting the film to festivals and trumpeting from the rooftops of Facebook about each screening.

But I was left with a sour taste in mouth after my festival run. Why? Because I got invited to some festivals where I saw 30 people in a 500-seat theatre watching my film. All the while I’d continue to get Facebook messages and emails asking, “Hey when can I watch your film?” I’d reply, “Well it was playing in your city on this date.” And the common refrain I would hear is, “Why didn’t you email me?”

Categories
Truly Free Film

Diary of a Film Start-Up Part 3: The Producer’s Dilemma

Diary of a Film Start-Up Part 3: The Producer’s Dilemma
By Roger Jackson

Previously: Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation
The Producer’s Dilemma
You probably know the classic movie making conundrum that indie producers struggle with: talent (or rather their agents) won’t commit to a film project until you prove you have funding, and investors won’t write a check until you prove you have talent attached. The producer’s dilemma. And, of course, all successful producers find creative solutions to that thorny issue. KinoNation has a similar challenge: It’s tough to get filmmakers fully committed without video-on-demand distribution outlets in place, and it’s hard to sign VoD outlets without a slate of films.

Categories
Truly Free Film

Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation

Diary of a Film Start-Up Part 2: Birth of a (Kino)Nation
By Roger Jackson
Previously: Diary of a Film Start-Up Part 1: Every Movie Ever Made…
KinoNation
We were determined the site would be a dot com domain — not dot biz or dot US or dot-whatever. But available dot coms are rare and we weren’t going to pay thousands of dollars to some shady cyber-squatter. Klaus found KinoNation.com — it was available, it makes sense, we like it and seems easy to remember. “Kino” is German for cinema. And “Nation” can be defined as a community of persons bound by a shared interest or passion. That seems to work. We’re also excited about the potential for this venture in China, making thousands of Chinese indie films available to the rest of the world. So the name had to sound OK to the Chinese ear (we’re assured it does) and it more or less translates into Mandarin as “Film Kingdom.” But. There’s always a “but.” In this case there’s a site in Russia, kinonation.ru where you can watch Hollywood movies — in Russian — for free. Hard to say whether they’re legit or pirated. Either way, we have the dot-com, they have the dot-ru — there’s no reason we can’t co-exist, right?
Categories
Truly Free Film

Diary of a Film Start-Up Part 1: Every movie ever made…

Diary of a Film Start-Up Part 1: Every movie ever made, in any language, anytime, day or night…
By Roger Jackson
 

I joined the short films website iFilm.com in 1999 and stayed until 2006, after we sold to MTV. By then we’d also sold out our original vision, captured perfectly in this 1999 commercial. Since iFilm I’ve produced war-zone documentaries for the Annenberg Foundation, started a production company, and for the past year run humanitarian projects in Afghanistan and West Africa. But I often thought of that iFilm vision…and now, more than a decade later, I find myself the co-founder (with film composer Klaus Badelt) of a digital film startup with a similar mission. This is the first of a series of weekly guest posts as we bootstrap this new venture — ideally with a ton of critique and input from you.