Year: 2014

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Truly Free Film

Pop Culture Called For Revolution In 2014

"If you can't break eggs to make an omelette, break the plate."
“If you can’t break eggs to make an omelette, break the plate.”

We love to bring down oppressive regimes — at least in our films. What does this say about our ability to recognize our own situation regarding our desire for greater freedoms? Are we tapping our desire for change with the stories we tell? Are our artists as free to explore this desire for change as we think? Do they have to take the quiet road when walking that talk? If they are somehow oppressed, how and where is the oppression manifest? What can we learn by examining the work we made, distributed, and consumed this year?

In other words, if art is partially about showing us all that we can aspire to as individuals, communities, and a planet, what are our films telling us about where we should be headed this coming year?

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Truly Free Film

16 Predictions For The Film Biz 2015 And Beyond

"Stare into the sun"
“Stare into the sun”

Okay, I did not get it all right last year.  Perhaps you think my crystal ball had a crack in it. But I did not say they would all hit this year. Check back on 2014’s predictions come the 2020’s and you might be surprised how right I am. Or not, but still if we don’t look at where we think we are going, how are we to pave the roads to take us there?

So what I do I predict this year for the years ahead? In examining this list, take in mind that I am not advocating for these developments, nor am I ranking them.  I just took the moments needed to examine where we are today, what’s been said, and where it may all lead. I’d love to hear your thoughts on this and where you think it may go too.

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Truly Free Film

A First Time Writer/Director’s Trial by Fire, Part #5: Not Wise to Ignore David Lynch

I was going to post about the fun and vitality of look books. Removing the writer’s hat and stepping into the director’s shoes to create the bridge that offers potential producers, managers or investors a first glimpse into how you intend to transform your story into a visually vibrant world. Next time. After reading an inspiring article by Ariston Anderson in Filmmaker Magazine about David Lynch, I slammed on my brakes to focus on a more esoteric topic: hope.

DL: “Looking back I did not have much self-assuredness in the beginning.”

Whether you enjoy his work or not, David Lynch is one of the most unique cinematic artists of our generation.

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Categories
My Films

If The Art Of The Samurai Is Not Having To Draw One’s Sword…

IMG_9072Gary Meyer’s blog EatDrinkFilms captures three of life’s great pleasures in a single dose. I am very pleased to have one of my favorite tales from my book excerpted there now.

Picture this: it is the first film you’ve financed yourself. You and your team are in a foreign land. Your money has been cut off and your financier picks you up, refusing to speak, and takes you up into the mountains where you are required to disrobe.

“One trait that helps producers is an imagination that can take you to the worst-case scenario, so that you can guard against it. I am prone to many dark thoughts, but I hadn’t anticipated this.”

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Truly Free Film

The Really Good Things In FilmBiz 2014

Let's look at the bright side!
Let’s look at the bright side!

Some rituals help keep us focused throughout the year. This marks the 4th time I have looked back at all the good things that occurred in the film biz and listed them out for all of us. Tracking them through year, keeps me from abandoning hope. Sometimes they may just be the silver lining in the storm cloud, but nonetheless they keep me going, keep me convinced that in fact we truly are: building it better together. I hope they do something close to that for you. It’s been a good year, and I have thirty two morsels to tempt you with. And of course the year’s not through yet, so perhaps you have some to add to this too. 

If you’ve encountered elements of this list earlier on my postings in Film Comment and on Keyframe, pay careful attention as I have weaved some new points into all for your reading pleasure. And if you like a little of the bitter to wash down the sweet, don’t forget the list of 30 Bad Things In 2014’s Film Biz here.

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Truly Free Film

30 Really Bad Things In FilmBiz 2014

IMG_9903It is now time for my complete list of The Suck In Today’s Film Biz. Earlier this week, I’ve dropped some bits on Keyframe and Filmmaker Mag. IndieWire picked it up. There’s so much that is wrong, it is easy to share the wealth. But here is all of those combined lists  plus many more. Can’t you hear everyone screaming “OMG, there is so much too fix! It is time we made this really work for ambitious and diverse film once and for all!”?  We wish, right?

I have been chronicling the negative in our film industry for sometime now — six years in these type of posts, but my original rant goes back to 1995 for Filmmaker Magazine.  Much of what I have stated in years’ passed remains still in need of getting done. Dig in to my past lists and when you combine them you will have well over 100 things that we could be doing better.  You’d think with so much wrong, more people would stand up and say “this has got to change!”. Where is the film industry’s national leadership? For the first time I believe we are capable of conceptualizing what an entire systems reboot could be — and one that looks out for ALL the stakeholders.  Isn’t it time for a international summit on this?

I have been also chronicling the good too, but today that’s for another day. Come back tomorrow for my comprehensive list of 30 Good Things In The Film Biz 2014.

By detailing what we have failed to do, done wrong, or continue to ignore, we build a road map of how we can improve things for the future. Here’s my contribution to that map for 2014.  Let’s build this better together.

  1. The “Winners Take All” Blockbuster Model Has Stomped “The Long Tail” Flat (in Hollywood). And as much as I hoped people would try to resist
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Issues and Actions

Get Your Next Fix Of More Good And Bad FilmBiz2014

Your cup runneth over.  So much happens you barely can determine if it is half full or half empty.  To capture this abundance, please turn to our friends at Keyframe for ten additional good things, and our pals at Filmmaker Magazine for ten additional bad.